A premiere that left everyone talking.
The press tour for Dune: Part Two has turned into a showcase of high-fashion ensembles, particularly from Zendaya, whose bold fashion choices consistently astonish onlookers.
During the movie’s premiere in London, Zendaya, at 27, surpassed expectations yet again. Dressed by her trusted stylist, Law Roach, Zendaya made a striking appearance in a vintage Mugler robot suit.
The vintage couture outfit, first seen at the Paris Fashion Week in 1995, is crafted from silver fabric designed to mimic robotic armor, featuring PVC-covered cutouts, including those on the breasts and the back.
Zendaya offered a bold glimpse of the design’s revealing back as she struck poses on the carpet. Her rendition of the outfit was styled remarkably close to the original, complete with metallic pumps. Yet, she opted out of wearing the headpiece, choosing instead a sleek bun with side bangs and enhancing the look with a statement jewel necklace.
Her outfit choice gained mixed reactions online.
Despite the outfit’s glam, Zendaya’s look received mixed reactions online with some people calling it ’ridiculous’.
- «I love her and all, but no, this is ridiculous,» one user wrote.
- «Celebrities can wear trash bags these days and get praised for it,» another added.
- «Dressing up like this, showing the body, and then asking for privacy and respect? How?» asked one person.
However, some fans praised the actress for her fashion choices: - «This is a 1995 Robot suit by Mugler, it’s a piece of art and fashion history, I think Zendaya did amazing wearing this,» one said.
- «I do not get why everyone is hating. Not all famous women have to wear those Cinderella dresses. This is awesome!» another wrote, and we couldn’t agree more!
Zendaya’s behind-the-scenes decision.
Zendaya recently shared that her famous red carpet moment nearly didn’t happen. In a recent video for Vogue’s Life in Looks series, the 26-year-old star shared the behind-the-scenes story of her daring fashion choice.
Despite her enthusiasm for the idea, Zendaya’s stylist, Law Roach, initially had reservations. Concerned that Zendaya might back out at the last minute, Roach questioned whether she was serious about wearing such a bold ensemble. Zendaya remained committed to the vision.
Securing the archival design was just the beginning of the journey. One of the original creators of the suit from the ’90s even attended the fitting, and Zendaya described the experience as unexpected —the armor fit her like a glove, solidifying her belief that this fashion moment was meant to be.
She recently revealed she regretted her outfit choice.
However, as the premiere approached, doubts crept in. Zendaya admitted to second-guessing her decision, fearing that the outfit might be a «bad idea.» These doubts intensified when she faced physical discomfort when wearing the metal armor.
Zendaya revealed that within minutes of putting on the bodysuit, she began to feel lightheaded. The metal material quickly absorbed and trapped heat, causing discomfort exacerbated by the complete bodysuit and barrier between her skin and the metal.
Yet, the metal bodysuit proved to be too uncomfortable to endure for an extended period. Zendaya later changed into a more conventional yet equally stunning black cowl neck Mugler gown, adorned with vintage Bulgari earrings and an emerald ring.
Actually, in 2019 Zendaya tried a Cinderella dress too. Check out this article to decide which style suits her more.
The fascinating and tragic story of Mary Ann Bevan
The tragic yet inspirational story of Mary Ann Bevan highlights the enduring power of parental love and sacrifice while exposing the darker side of 19th-century entertainment. In 1874, Mary Ann was born in East London’s Plaistow. When she began exhibiting symptoms of acromegaly, a rare condition characterized by an excess of growth hormone production, her world was turned upside down.
Mary Ann’s life took a challenging turn when her husband passed away, leaving her to raise her four children alone and deal with the physical and psychological affects of acromegaly while having a promising future as a nurse. Due to the negative connotations associated with her appearance, Mary Ann encountered increasing difficulty in obtaining employment, prompting her to undertake extreme measures to support her family.
In an odd turn of events, Mary Ann answered an advertisement placed in the newspaper by Claude Bartram, an agent for Barnum and Bailey’s circus, seeking the “ugliest woman.” At first, Mary Ann accepted the offer grudgingly, but later, her great desire to provide for her children left her with little alternative.
When Mary Ann embarked on her journey with the circus, she received both respect and derision from the general public. She gained notoriety at Coney Island Circus as “The Ugliest Woman on Earth,” mesmerizing audiences with her uplifting story and resilient demeanor. Beneath the façade, however, was a lady grappling with concerns of exploitation and societal criticism.
Regardless matter the level of financial success Mary Ann achieved, her legacy is characterized by her selflessness and love for her children. With the money she made, she gave her kids a brighter future by sending them to an English boarding school, all the while keeping herself in the limelight of the circus.
Mary Ann’s narrative illustrates the morally complex entertainment industry, where human curiosity and exploitation intersect. Although her employment with the circus provided her with only brief financial security, her narrative demonstrates the enduring power of mother love and selflessness in the face of adversity.
Mary Ann, who passed away in 1933 at the age of 59, left behind a legacy of determination and fortitude. Her ultimate resting place in South London’s Ladywell and Brockley Cemetery is proof of her enduring spirit and the long-lasting impact of her amazing journey.
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