Life is unpredictable. Sometimes, no matter how hard we try to make things right, God has other plans.
Becky is a woman who tragically lost her son Tristan, who was just 19 years old at the time he left this world. Her grief was immense. She couldn’t possibly imagine her life without her child, but over time, her loved ones helped her accept the reality and move on.
Around two years after Tristan’s passing, Becky was about to marry the love of her life, a man named Kelly.
On the day of their wedding, the two decided to leave an empty seat in Tristan’s honor with a heartwarming message written on it. “What should I do now that I’ve arrived in heaven for your wedding? I will stoop to your level in order to spend it with you. Please save me a seat, even if there is only one available chair. Although you might not notice me, I shall be present.”
As the ceremony proceeded, Kelly informed Becky that there was someone there who wanted to see her. A young man who took Tristan’s chair. When she saw him, Becky wasn’t mad. On the contrary, spotting the young man, she was overwhelmed and couldn’t stop tears from rolling down her face.
That man, Jacob, was the recipient of Tristan’s heart. Tristan was an organ donor, and Jacob wasn’t the only person whose life he saved.
When Kelly informed Jacob that he and Becky are getting married and invited him to the ceremony, Jacob was more than willing to travel from San Diego in order to attend it. It was a beautiful surprise that warmed Becky’s heart and made her day. She felt like her son was present on her wedding day.
Becky was then given a stethoscope so that she could hear her late son’s heartbeat. It was an emotional moment no one could ever forget.
Someone snapped photos of the beautiful surprise and shared it on Facebook. The story went viral in a matter of days and many praised Kelly for his love for Becky.
Many people took their time to comment, with one person writing: “Why is it that we can’t just have one news channel that is dedicated to delivering uplifting and motivational stories like this one? If only the goodness and thoughtfulness that exists in the world were distributed more widely, it could inspire more of the same.”
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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