Rebecca arrives at the farm she inherited, ready to sell it and move on. But a stubborn farmhand refuses to let her make an easy sale. He challenges her at every turn, forcing her to confront not just him but the memories and responsibilities she thought she left behind. Their clash will decide the farm’s fate.
Early in the morning, Rebecca got into her car, the sun barely peeking over the horizon. This wasn’t part of her usual routine, but something unexpected had come up, and she had to deal with it.
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Leaving her small business in the hands of her assistant, she set off on a long drive, heading out of the busy city.
Rebecca was on her way to her late grandfather’s farm, which he had left to her in his will. She hadn’t been there in years. As a child, she spent summers there, running around and playing, but once she grew older her visits stopped.
Rebecca always assumed her grandfather would pass the farm on to one of his workers, someone who truly needed it. Now, she had no intention of running it herself. Her plan was simple—check things out, find a buyer, and sell it as quickly as possible.
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Rebecca parked near the farmhouse and stepped out, glancing around. As she turned, she noticed a man on the porch. He stood up quickly, smiling.
“Hey there,” he said. “You must be my new boss. I’m Derek.” He stepped forward, offering his hand.
Rebecca shook it, frowning slightly. Something about him seemed familiar. “Hi, Derek. But you’ve got it wrong. I’m not your boss.”
Derek tilted his head. “Well then, may I at least know the name of my non-boss?”
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“Oh,” Rebecca said, realizing she hadn’t introduced herself. “I’m Rebecca.”
“Wait a minute. Are you the same Rebecca who let all the chickens out so the dog could have fun?” He chuckled.
Rebecca’s eyes widened as the memory came back. Derek was the son of one of her grandfather’s workers, and they used to play together when she was little. “And you’re the same Derek who taught me to chase them with a slingshot?”
“Guilty as charged,” he said, raising his hands in mock surrender. They both laughed, easing the tension.
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Derek’s expression grew serious. “So, what do you mean you’re not my boss? The farm was left to you, right?”
Rebecca’s smile faded. “Yes, but I don’t plan to keep it. I’m here to sell it.”
“What? Sell it? To who?”
“I don’t know yet,” she said, shrugging. “Whoever wants to buy it.”
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“Even if they tear it down?” he asked.
“Well… yes.”
Derek stepped closer, his voice rising. “How could you do that? Your grandfather spent his life on this farm! It was everything to him.”
Rebecca felt a pang of guilt but tried to stand her ground. “He’s gone, Derek. And I have my own life. Being a farmer wasn’t part of my plan.”
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Derek’s eyes searched hers. “What about the animals? The people who work here? You’re just going to let them lose everything?”
She hesitated. “The new owner will handle that.”
Derek’s face darkened. “You don’t care at all, do you?”
“I care. It’s just… not my responsibility anymore,” she said quietly, turning to walk toward the house.
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Derek’s voice followed her. “You heartless witch!”
Rebecca winced but didn’t turn back. She quickened her pace, heading inside, trying to ignore the doubts his words stirred.
The next morning, Rebecca was startled awake by a knock on her door. She groggily got up and opened it to find a man standing on the porch.
“Good morning, Rebecca,” he said, nodding politely. “I’m Travis. I manage the fields here. Something’s happened, and I think you’ll want to see it.”
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Rebecca rubbed her eyes. “Morning. Just give me a moment to get dressed.”
She quickly threw on the first clothes she found, then followed Travis outside. They walked through the farm until they reached one of the main fields. Rebecca’s heart sank when she saw the crops. They looked weak, wilted, and sickly.
“What’s wrong with them?” she asked.
Travis sighed, his expression grim. “Hard to say. Maybe someone spread something to damage them. Could be competitors. But if we don’t act fast, we’ll lose the entire crop.”
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Rebecca’s face tightened. “I don’t care. I’m selling the farm. That’s my plan.”
Travis glanced at her. “You’d get a lot more money if you sold it as a working farm. Not just land.”
Rebecca knew he had a point. She hesitated, then asked, “So, what do you need from me?”
“I need an extra worker. One of our guys is out sick, and we don’t have enough hands,” Travis explained.
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“Alright,” Rebecca said. “I’ll find someone to help.”
Rebecca spent the entire day making phone calls, trying to find someone to hire. She went through a long list of contacts, but every answer was the same—nobody was available.
By evening, she was exhausted, her energy completely drained. She felt like a squeezed lemon, with nothing left to give.
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Tired and frustrated, Rebecca found herself wandering toward the stables. She remembered how, as a child, she would sit there for hours, surrounded by the soft sounds of the horses.
It always calmed her. She gently petted their noses, fed them some hay, and felt a wave of comfort wash over her. She sighed, thinking, who would have imagined this farm could bring her so many problems?
“Oh, I didn’t know princesses visited stables,” Derek said, his tone icy as he stepped inside.
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Rebecca turned, frowning. “What’s with the attitude?”
Derek folded his arms. “How else should I talk to someone who doesn’t care?”
“For your information, I spent all day trying to find a worker for Travis,” she snapped. She wasn’t sure why she felt the need to explain herself, but his accusation stung.
Derek’s lips curled into a bitter smile. “So you can sell the farm for a better price. That’s what Travis said.”
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Rebecca rolled her eyes, trying to ignore the guilt building inside her.
“I can help Travis,” Derek said, “but I need support with the livestock. That’s my job.”
“There’s no one available to work,” she said.
Derek stepped closer, his gaze steady. “You could help.”
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Rebecca blinked, surprised. “Me?”
He raised an eyebrow. “Or are your hands too soft for real work?”
“I know how to work,” she shot back. “It’s the only thing I’ve ever really known how to do.”
“Good,” Derek said, turning toward the door. “Then it’s settled.”
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Rebecca stood there, still processing, as he walked away, wondering how she’d just agreed to help.
For the next few weeks, Rebecca found herself doing things she never expected. She woke up early each morning, pulling on boots and gloves, ready to work. She helped the workers in the fields, fed the animals, and even joined them in the kitchen, cooking meals after long days.
At first, she thought it would be a struggle, but the workers were patient and kind, teaching her the tasks step by step. They treated her like part of the team, and she started to see how much they cared about the farm.
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Rebecca began to question if selling the farm was the right decision. Every night, she fell into bed exhausted, but it was a different kind of tiredness. The farm, once just a burden, was slowly becoming a place she was starting to care about.
One evening, as she walked back to the house, she spotted something unusual—small surveillance cameras mounted on poles, pointing straight at the field. Why hadn’t she noticed them before?
After asking around, she learned from Sarah, a longtime farm worker, where to access the footage. Sarah brought it to the house, and Rebecca started watching the recordings.
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She fast-forwarded until she found what she was looking for—footage of someone sneaking through the field, scattering a strange powder over the crops. The image was blurry at first, but then the figure’s face came into view. Rebecca’s heart dropped. It was Derek.
Furious, she slammed her laptop shut and stormed out of the house. Without thinking, she marched straight toward Derek’s cabin, her mind spinning.
Rebecca stormed up to Derek’s door. When he opened it, she held out her laptop, the screen showing the footage. “Care to explain this?!” she snapped.
Derek sighed, his shoulders drooping. “I was trying to delay the sale,” he said.
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“So you decided to destroy the farm?!” Rebecca yelled, her voice shaking.
“I didn’t destroy it,” Derek replied. “I slowed things down. It worked. I know you’ve started to care.”
“You can’t just do that, Derek! People had to work harder because of you!” she shouted.
“I thought you didn’t care about the people here,” he said. “I wanted to make you see what this farm means.”
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Rebecca felt a sting in his words, but she refused to back down. “But you messed up! I don’t care! That’s why I’m selling it—to the first buyer who shows up!” she yelled, her voice cracking as she turned and stormed away, leaving Derek standing there.
Two days later, two businessmen arrived at the farm. Rebecca greeted them with a polite smile and led them on a tour, showing them the fields, the barns, and the house. She kept her tone professional, trying to stay detached.
After the tour, Ryan, one of the men, said, “We’re ready to buy it.”
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Rebecca felt a weight lift from her shoulders. “Great! When can we sign the contract?” she asked.
“Right now,” said the other man, Tom. “We brought our lawyer with us.”
Rebecca nodded and led them inside. They sat at the dining table, and the lawyer set the papers down. She picked up the pen, but her hand froze. Something didn’t feel right. “You’re buying the farm to run it, right?” she asked.
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“Not exactly,” Ryan replied. “We plan to build a factory here. Is that a problem?”
Rebecca’s stomach twisted. She hesitated, but forced a smile. “No, no problem.” Her eyes drifted to the wall. A childhood photo of her and her grandfather hung there—she was feeding a calf, smiling wide. She took a deep breath, pushing the papers closer. Slowly, she prepared to sign.
After fifteen minutes, Rebecca walked Ryan, Tom, and their lawyer out of the house. She spotted Derek sitting under a tree, watching. Tom shook her hand. “Well, good luck,” he said. Ryan did the same, and then they drove off.
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Derek got up and walked over. “Congratulations,” he said flatly. “The farm’s no longer your problem. How much did you sell it for?”
Rebecca looked at him. “I changed my mind.”
“What?” Derek’s eyes widened, confused.
“I’m not selling it,” she repeated.
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Derek’s frown melted into a smile. “Really?”
“Don’t get too happy,” she said, trying to stay serious. “I’m a demanding boss. My employees usually avoid me.”
Derek suddenly pulled her into a tight hug, catching her off guard. After a moment, she realized what was happening and hugged him back, feeling something warm and hopeful stir inside her.
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The transformation of Joan Van Ark: From star on ‘Dallas’ and ‘Knots Landing’ to loving mother and wife
While performing in Denver, Van Ark met actress Julie Harris while interviewing her for a local newspaper, and the actress persuaded her to study acting and drama at the Yale Drama School.
As a result, Van Ark became the youngest student ever to receive a scholarship to the well-respected school and the second woman ever to enroll. The first woman was Julie Harris, who helped Van Ark into the school.
“She wrote to the dean and asked him to meet me. Long story short, my parents drove me to New Haven, Connecticut, to meet the dean, who gave me a scholarship,” she recalled.” It was meant to be.”
Valene Ewing on ‘Dallas’ and ‘Knots Landing’
Van Ark began her professional career at the Minneapolis Guthrie Theater, where she starred in The Miser by Moliere. After working about a year at the Arena Stage in Washington DC, she moved down to work with the national touring company Barefoot in the Park in 1963, which led to her Broadway debut. In 1971, she was nominated for the Tony Award for Best Featured Actress in a Play after starring in The School for Wives.
At that point, Joan Van Ark had begun working in front of a screen rather than on stage. She appeared on television series including Temperature’s Rising, Spider-Woman, and Days of Our Lives and even in one episode of Bonanza.
Even though Joan Van Ark wasn’t short of jobs, she was still looking for her significant breakthrough role as the 1980s approached. In 1978, she made several appearances as Valene Ewing on Dallas – which led her to the role of a lifetime.
Knots Landing – a spinoff of Dallas – premiered in 1979, and Joan Van Ark reprised her role as Valene Ewing. She starred in 327 episodes – acting alongside Michele Lee as Karen and Ted Schakleford as Gary – and became a massive star.
Even though it was a spinoff of Dallas – about the rotten but wealthy Ewing Clan – it was initially brought to CBS years before.
However, the network wanted a “big rich family” show, and Dallas got picked as the one. But later on, Knots Landing became a massive success as the studio realized how big of a show Dallas had grown into, and after only one season, it rose into the top 20 in TV ratings.
How Joan Van Ark almost missed out on her biggest role
Knots Landing became the story of Gary Ewing and his wife Valene – played by Van Ark – and how they decided to start a new life in Knots Landing.
However, Van Ark almost missed out on the part of Valene Ewing. She explained that she had a “three-way clash” where she did The Love Boat simultaneously, as well as a commercial in New York.
In the end, it was her husband – John Marshall, who we will come back to in a minute – that persuaded her into choosing Dallas. And it was a significant – and important – decision.
“I got the call asking me to do a guest appearance in this show called Dallas, which was attracting a lot of buzz, but I said to my husband, ‘John, why should I even read this script? I can’t be in three places at once,’” she told Express. “Then he read it and said, ‘No, you’ve got to do it. It looks wonderful.’”
“So basically, he talked me into a schedule that had me in LA one day, then flying to Dallas for two days, followed by two days in New York and then back to Texas. But looking at this old cast photo from Knots Landing – the spinoff from Dallas – I’m so glad I listened to him,” she added.
Dallas and Knots Landing became a 15-year commitment for Van Ark, who became identified by her role. As earlier mentioned, she and Julie Harris had quite a history – and in 1980, they met again
“I could stay forever on the show and be safe”
Harris was cast in Knots Landing as the mother of Van Arks’ character, and for the actress, it was almost too good to be true.
“When the producers told me they had finally last someone to play my mother, I held my breath,” she recalled in a 1984 interview with Florida Today.
“I thought, ‘Oh my God, are they going to say Phyllis Diller or Zsa Zsa Gabor, or who?’ Then they said it was Julie Harris, and I went right through the roof. I couldn’t believe they had picked her to be my mother. They didn’t even know we were friends.”
Joan Van Ark stayed for 13 seasons and 327 episodes on the show. Then in 1993, just one season after she left, Knots Landing was canceled. But the reason for Joan leaving wasn’t that she didn’t like it. Instead, it was all about her trying on new challenges.“I could stay forever on the show and be safe,” Van Ark told the Los Angeles Times in 1992.
“But three years ago, I did Night of the Iguana in Williamstown (Mass.), and I had a quote from Tennessee Williams taped on my mirror, taken from an essay he’d written on success. It said, and I’m paraphrasing here: ‘Security is in the shape of a kidney-shaped pool in Los Angeles, where you sit waiting for your residual checks.’ I was in a comfortable spot on Knots, and an artist should not be comfortable.”
At the same time, the television series became a huge part of Van Ark’s life. So even though she felt comfortable leaving, it was a tough blow since she thought it would be easier.
Blamed herself for ‘Knots Landing’ cancelation
“I have loved more than life the 13 years I’ve had on that show,” she said. “[Knots Landing creator] David Jacobs is a great influence on my life, has taught me so much about so many things. Ted [Shackelford] is the other half of every breath I take on the show, and personally, he’s a large part of my heart. The people are my family–we have shared marriages, deaths, divorces. It’s far more difficult to leave than I thought.”
The show didn’t quite work without the great chemistry between characters Valen and Gary. In fact, Joan took the blame for the show being shut down.
“Well, it was my fault. I jumped over to NBC to do a pilot which did not sell,” she said. “I was so ready to go, after fourteen years with the one lady, so I auditioned for the pilot, and they cast me. It wasn’t as cleanly negotiated as it should have been. When the pilot didn’t sell, they asked me back, and I did do the four-hour finale of the show.”
Joan Van Ark left the soap opera business behind but continued to star in many television series. She had minor parts in television series, including Fresh Prince of Bel-Air, and starred in some television movies. Between 2004 and 2005, Joan appeared as Gloria Fisher in 55 episodes of the hugely successful television drama The Young and The Restless.Joan Van Ark – marriage, husband, children
It’s common for celebrities in Hollywood to marry other celebrities, and show-biz marriages don’t always last very long.
But that wasn’t the case for Joan Van Ark, who met the love of her life back in high school. She met her husband, John Marshall, while the two were students in Boulder. In 1966, the couple married on a military base in Germany.
“Believe me, it was nothing like the marriages [Valene Ewing] has gone through,” she told UPI.
In 1969, they welcomed daughter Vanessa Marshall, who also chose a career in entertainment. She became a well-known voice-over artist and actually gave up on her on-camera acting career. Instead, Vanessa Marshall has lent her voice to animated films, television series, and several video games.
John Marshall went on to become an Emmy newsman, working on KNBC-TV and NBC. He’s had a flourishing career just as his wife Joan, and while the couple was working hard to make it in their respective fields, Vanessa was growing up.
For Van Ark, becoming a mother while trying to navigate through the business was tough. And she gives credit to her husband, John, for keeping the family together during those stressful years.
“He is the reason we have the most wonderful daughter in the world and that the marriage has stayed strong,” Van Ark told The Leader-Post in 1988. “I feel I am the committed person who can’t give up time for this or that.”
“He did not want to miss watching Venessa grow up, and he did not want to miss me,” she added. “He knows correspondents live out of suitcases. John made career choices I didn’t agree with because if it had been me, I would have packed my bags, and I would have been waiving at the airport.”Joan Van Ark – net worth
Besides her acting job, Joan Van Ark has a great interest in running. The 78-year-old has completed several marathons and explained she’s running instead of going to a psychologist. However, when it comes to her husband, she stated that she would never go on a run with him.
Why? Because “it’s the quickest way to a divorce that I know of. You’re always criticizing the other’s style,” Joan said.
In the last decade, Joan Van Ark has continued to work on stage in several productions for theater and starring in television series and movies such as Watercolor Postcards and Psycho Wedding Crasher. But she will always be most remembered for her magnificent spell on Dallas and Knots Landing.
According to Celebrity Net Worth, Joan Van Ark has a net worth of around $10 million.
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