Consider entering your grandparents’ home, where every room had a story to tell and every corner possessed a relic. Of these, the oil lamp shelves placed on the walls to this day will make you feel the warmth that you used to experience while reading under them. These shelves, which were an important part of the early twentieth-century houses, were not just practical – they were a symbol of a time when the light of an oil lamp would unite family members in the evening.
Usually wooden or metallic, oil lamp shelves were commonly located in various parts of the house to ensure the light’s effectiveness. These shelves were frequently located on walls in the living room, bedrooms, and hallways. They were not randomly placed; they were strategically positioned to ensure that there was enough light for activities done in the evening such as reading, sewing or even family meetings.
The form of these shelves or niches was quite diverse, ranging from flat ledges to more complex constructions complete with guardrails to avoid lamp tip overs. In wealthier homes, these shelves may have been elaborately decorated or even incorporated into the design of the room, complete with carved-out niches and fancy trim that matched the rest of the house.
This was because oil lamps presented a fire risk due to the exposed flame. Shelves for oil lamps were therefore intended to keep the lamps stowed away from the everyday activities in the house while at the same time letting in the light. These were usually located in positions that were not easily accessible to children and not close to curtains or any other combustible material. This tactical positioning ensured that risks of fire breakouts were reduced to the barest minimum while issuing adequate light.
The existence of oil lamp shelves in old houses gives us an insight into the lifestyles and the technological advancements that were available at the time. Lighting was an important part of people’s lives before the use of gas and electric lights and this meant that the management of lighting was an important part of the daily routine and architecture. These shelves were an important part of the interior design and showed how people of that time managed to optimize the use of living spaces.
Today, oil lamp shelves in historic homes are kept for both their functionality and their historical and cultural value. In the modern homes where such shelves have been installed, they are used for storing candles, plant among other items to enhance the beauty of the house. This is because preservation measures always aim at preserving the original construction features and the material used in the construction in this case the design of the period.
Therefore, the shelves for oil lamps in old houses are not only practical furniture pieces, but they are also a symbol of the creativity of the previous generations and a link to the tangible world of the past. Such details give us ideas about the changes that were made by our ancestors and make us reflect on how these architectural landmarks should be preserved.
Think you know her? You might want to take a seat before discovering who she really is
Joan van Ark was born on June 16, 1943, in New York City, far from the world of entertainment. Her life took a significant turn during her teenage years while acting in Denver, where she met actress Julie Harris, who would greatly influence her career. Julie encouraged Joan to apply to the prestigious Yale Drama School and even helped her secure a scholarship, making Joan the second woman ever to enroll there.
Joan recalled: “Harris wrote to the dean and asked him to meet me. Long story short, my parents drove me to New Haven, Connecticut, where the dean awarded me a scholarship. It felt destined”. After honing her skills in theater, Joan shifted her focus to television, where she starred in shows like Temperature’s Rising, Spider-Woman, Days of Our Lives, and even made a guest appearance on Bonanza. However, it was her role as Valene Ewing on Dallas in 1978 that propelled her to stardom.
Her success on Dallas led to her starring in its spin-off, Knots Landing, which was actually developed before Dallas. Initially, Joan was set to join the Knots Landing cast, but she ended up reprising her role on Dallas first. It was her husband, newscaster John Marshall, who encouraged her to accept the role despite her busy schedule. When it was announced that Julie Harris would play Val’s mother, Joan was thrilled. “I couldn’t believe they had picked her to be my mother”, she recalled in a 1984 interview.
After 13 seasons and 327 episodes on Knots Landing, Joan left the show just before its final season. While many speculated that her departure contributed to the show’s cancellation, she was ready for new challenges. “I loved my time on that show”, she stated, expressing gratitude to the show’s creator, David Jacobs, and her co-star, Ted Shackelford, who she considered family.
Joan and John, who met in high school, have been happily married for over 58 years and share a daughter, Vanessa Marshall, who works in the entertainment industry. Now at 81, Joan has a net worth of $10 million and remains stunning. She was last spotted five years ago, casually paying for parking in workout attire.
Her most recent appearance was in the 2017 television film Psycho Wedding Crasher. After a remarkable 50-year career in entertainment, Joan van Ark is now a life member of The Actor’s Studio, solidifying her legacy as an icon.
Leave a Reply