See 1970s icon Faye Dunaway now at 83

Among the few living real legends is Faye Dunaway.

The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.

And the eighty-three-year-old continues on…

Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.

The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.

It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.

The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.

Dunaway managed to create a combination of charm and terror.

In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.

Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”

In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.

In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”

Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.

A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.

“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”

The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.

Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.

Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.

She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.

According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.

After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.

Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.

She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.

She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.

Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.

She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.

Regarding her romantic status, she is now single.

She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”

Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.

I Took Our Old Couch to the Dump, but My Husband Freaked Out, Yelling, “You Threw Away the Plan?!”

When Tom’s eyes locked onto the empty space in our living room, a look of pure panic spread across his face. “Please tell me you didn’t…” he started, but it was already too late.

I’d been asking Tom to get rid of that old couch for months. “Tom,” I’d say, “when are you taking the couch out? It’s practically falling apart!”

“Tomorrow,” he’d mumble without looking up from his phone. Or sometimes, “Next weekend. I swear, this time for real.”

Spoiler alert: tomorrow never came.

Old worn out couch | Source: Midjourney

Old worn out couch | Source: Midjourney

So, last Saturday, after watching that moldy piece of furniture use up half of our living room for another week, I finally snapped. I rented a truck, wrangled the thing out by myself, and took it straight to the dump. By the time I got back, I was pretty proud of myself.

When Tom got home later, he barely got past the entryway before his eyes went wide at the sight of the brand-new couch I’d bought. For a second, I thought he’d thank me, or at least smile.

But instead, he looked around, stunned. “Wait… what’s this?”

Man standing in his living room | Source: Midjourney

Man standing in his living room | Source: Midjourney

I smiled, gesturing at the couch. “Surprise! Finally got rid of that eyesore. It looks great, right?”

His face went pale, and he stared at me like I’d committed a crime. “You took the old couch… to the dump?”

“Well, yeah,” I said, taken aback. “You said you’d do it for months, Tom. It was disgusting!”

He gaped at me, panic flashing across his face. “Are you serious? You threw away the plan?!

“What plan?” I asked.

He took a shaky breath, muttering to himself. “No, no, no… This isn’t happening. This can’t be happening.

Disappointed man in his living room | Source: Midjourney

Disappointed man in his living room | Source: Midjourney

“Tom!” I interrupted, starting to feel a little panicked myself. “What are you talking about?”

He looked up at me, eyes wide with fear. “I… I don’t have time to explain. Get your shoes. We have to go. Now.”

My stomach twisted as I stood there, trying to understand. “Go? Where are we going?”

“To the dump!” he snapped, heading for the door. “We have to get it back before it’s too late.”

Couple heading out | Source: Midjourney

Couple heading out | Source: Midjourney

“Too late for what?” I followed him, bewildered. “Tom, it’s a couch. A couch with, like, mold and broken springs! What could be so important?”

He paused at the door, turning back, “You wouldn’t believe me if I told you.”

“Try me,” I challenged, crossing my arms. “I’d like to know why you’re so desperate to dig through a pile of garbage for a couch.”

“I’ll explain on the way. Just trust me,” he said, gripping the doorknob and glancing back over his shoulder. “You have to trust me, okay?”

The way he looked at me — it sent a chill down my spine.

A couple leaving their house | Source: Midjourney

A couple leaving their house | Source: Midjourney

The drive to the dump was dead silent. I kept glancing at Tom, but he was laser-focused on the road, his hands gripping the steering wheel so tight. I’d never seen him like this, so completely panicked, and his silence was only making it worse.

“Tom,” I finally broke the silence, but he didn’t even flinch. “Can you just… tell me what’s going on?”

He shook his head, barely looking at me. “You’ll see when we get there.”

“See what?” I pressed, the frustration creeping into my voice. “Do you have any idea how insane this sounds? You dragged me out here for a couch. A couch, Tom!”

Couple in their car | Source: Midjourney

Couple in their car | Source: Midjourney

“I know, he muttered, eyes flicking over to me for a split second before returning to the road. “I know it sounds crazy, but you’ll understand when we find it.”

I crossed my arms, stewing in silence until we pulled up to the dump. Tom leaped out before I could say another word, sprinting toward the gate like his life depended on it.

He waved down one of the workers and, with a pleading edge in his voice, asked, “Please. My wife brought something here earlier. I need to get it back. It’s really important.”

The worker raised an eyebrow, glancing between us with a skeptical look, but something in Tom’s face must have convinced him. With a sigh, he let in. “All right, buddy. But you better move quick.”

Dumpsite | Source: Pexels

Dumpsite | Source: Pexels

Tom darted ahead, searching the mountain of trash like a man possessed, his eyes scanning every heap as if they held priceless treasures. I felt ridiculous standing there, ankle-deep in the garbage, watching my husband dig through piles of discarded junk.

After what felt like ages, Tom’s head jerked up, eyes wide. “There!” he shouted, pointing. He scrambled over, practically throwing himself onto our old couch, which was lying sideways on the edge of a heap. Without missing a beat, he flipped it over, his hands diving into a small gap in the torn lining.

Man in a dumpsite standing next to an old couch | Source: Midjourney

Man in a dumpsite standing next to an old couch | Source: Midjourney

“Tom, what—” I began, but then I saw him pull out a crumpled, yellowed piece of paper, delicate and worn with age. It looked like nothing—just a flimsy old paper with faded, uneven handwriting. I stared at it, completely baffled.

“This?” I asked, incredulous. “All this… for that?”

But then I looked at his face. He was staring at that paper like it was the answer to everything.

Tom’s hands were shaking, his eyes red and brimming with tears. I was frozen, unsure of what to do or say. In the five years we’d been together, I’d never seen him like this — so utterly broken, clutching that crumpled piece of paper like it was the most precious thing he’d ever held.

Man seated on an old couch reading a paper | Source: Midjourney

Man seated on an old couch reading a paper | Source: Midjourney

He took a deep breath, staring at the paper with an expression that was equal parts relief and sorrow. “This… this is the plan my brother and I made,” he finally said, his voice raw. “It’s our map of the house. Our… hideouts.”

I blinked, glancing at the paper he was holding so carefully. From here, it just looked like a scrap of faded, childlike scrawls. But when he held it out to me, his face crumbling as he handed it over, I took it and looked closer.

Woman standing next to an old couch in a dumpsite | Source: Midjourney

Woman standing next to an old couch in a dumpsite | Source: Midjourney

It was drawn in colored pencils, with wobbly handwriting and a little cartoonish map of rooms and spaces, was a layout of the house we lived in now. Labels dotted the rooms: “Tom’s Hideout” under the stairs, “Jason’s Castle” in the attic, and “Spy Base” by a bush in the backyard.

“Jason was my younger brother,” he murmured, barely able to get the words out. “We used to hide this map in the couch, like… it was our ‘safe spot.'” His voice was almost inaudible, lost in a memory that seemed to consume him.

I stared at him, struggling to piece together this revelation. Tom had never mentioned a brother before — not once.

Emotional woman talking to her husband | Source: Midjourney

Emotional woman talking to her husband | Source: Midjourney

He swallowed hard, his gaze somewhere far away. “When Jason was eight… there was an accident in the backyard. We were playing a game we made up.” He choked back a sob, and I could see how much it was costing him to go on. “I was supposed to be watching him, but I got distracted.”

My hand flew to my mouth, the weight of his words crashing down on me.

“He was climbing a tree… the one next to our Spy Base,” he said, a faint, bitter smile tugging at his lips. “He… he slipped. Fell from the top.”

“Oh, Tom…” I whispered, my own voice breaking. I reached out to him, but he seemed lost in the past.

Man and wife in a dumpsite | Source: Midjourney

Man and wife in a dumpsite | Source: Midjourney

“I blamed myself,” he continued, his voice breaking. “I still do, every day. That map… it’s all I have left of him. All the little hideouts we made together. It’s… it’s the last piece of him.” He wiped his face with his sleeve, but the tears kept coming.

I wrapped my arms around him, pulling him close, feeling his pain in every sob that shook his body. It wasn’t just a couch. It was his link to a childhood he’d lost—and to a brother he could never bring back.

“Tom, I had no idea. I’m so sorry,” I said, hugging him tight.

Couple hugging in a dumpsite | Source: Midjourney

Couple hugging in a dumpsite | Source: Midjourney

He took a shaky breath, wiping at his face. “It’s not your fault. I should have told you… but I didn’t want to remember how I messed up. Losing him… it felt like something I couldn’t ever put right.” His voice caught, and he closed his eyes for a long, silent moment.

Finally, he let out a long, steadying breath and gave a weak, almost embarrassed smile. “Come on. Let’s go home.”

The drive back was quiet, but a different kind of quiet. There was a lightness between us, as though we’d managed to bring something precious back with us, even if it was only a scrap of paper. For the first time, I felt like I understood this hidden part of him, the one he’d kept buried under years of silence.

Couple in a car | Source: Midjourney

Couple in a car | Source: Midjourney

That night, we took that yellowed, wrinkled map and placed it in a small frame, hanging it in the living room where we could both see it. Tom stood back, looking at it with something that wasn’t quite sorrowful anymore.

The shadow was still there, but softer somehow. I watched him, noticing for the first time in years that he seemed at peace.

Time passed, and the house was filled with new memories and little echoes of laughter that seemed to bring warmth to every corner.

Young family having breakfast | Source: Midjourney

Young family having breakfast | Source: Midjourney

A few years later, when our kids were old enough to understand, Tom sat them down, holding the framed map as he shared the story of the hideouts and “safe spots” he and Jason had created. I stood in the doorway, watching the kids’ eyes widen with wonder, drawn into this secret part of their father’s life.

One afternoon, I found the kids sprawled on the living room floor, crayons and pencils scattered around as they drew their own “map.” They looked up when they saw me, grinning with excitement.

Kids playing with crayons | Source: Midjourney

Kids playing with crayons | Source: Midjourney

“Look, Mom! We have our own house map!” my son shouted, holding up their masterpiece. It was labeled with their own hideouts — Secret Lair in the closet, Dragon’s Lair in the basement.

Tom came over, his eyes shining as he looked at their creation. He knelt beside them, tracing the lines with a soft smile, as if they’d unknowingly given him back another small piece of what he’d lost.

“Looks like you’re carrying on the tradition,” he said, his voice full of warmth.

Our son looked up at him, his eyes bright. “Yeah, Dad. It’s our plan… just like yours.”

Man looking at his son | Source: Midjourney

Man looking at his son | Source: Midjourney

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