Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
7 Hidden Mistakes and Bloopers You Missed in the Classic TV Show ‘Leave It to Beaver
If Life Were More Like ‘Leave It to Beaver,’ We’d All Be Better Off
While the world could certainly benefit from reflecting the values portrayed in Leave It to Beaver, even this iconic show had its share of backstage errors and quirky moments.
Setting a Higher Standard
Although Leave It to Beaver centered around a fictional family, it set a high moral standard for Americans, offering a sharp contrast to the gradual decline in the quality of many TV shows since its airing.
Running from 1957 to 1963, the beloved sitcom charmed audiences with its wholesome portrayal of family values and humor. The series was, quite simply, well-executed and genuinely funny.
Now, let’s take a look at some amusing mistakes that made their way into the final cut—what we call bloopers and goofs today. One in particular caught my attention: a surprising, unedited mistake in a well-known scene.
June Cleaver’s Calendar Mix-Up
One notable goof revolves around June Cleaver’s calendar. For decades, the Cleaver home has been portrayed as an immaculate model of organization, complete with a calendar to track important dates. However, in the 1963 episode “The Poor Loser,” the calendar on the Cleavers’ wall displayed the wrong dates. They likely used a calendar from 1961 instead.
In the same episode, when Ward and Beaver plan to attend a baseball game, a close-up of the tickets reveals a typo: “Mayfield” is misspelled as “Mayfied” in the small print, even though it’s spelled correctly elsewhere.
The Fake Bee
Special effects in the early days of TV were far less advanced than today, and Leave It to Beaver relied on practical methods. In the episode “The Silent Treatment,” Beaver is painting a door when a bee flies by. Since using a real bee would have been risky, the crew opted for a fake one, suspended by a visible string that hovers near Beaver’s face!
Jerry Mathers: “I Got in a Lot Less Trouble”
Jerry Mathers, who played Theodore “Beaver” Cleaver, became America’s favorite little brother. In a recent interview celebrating his 76th birthday in 2024, Mathers reflected on his time on the show and how it compared to his real life.
“Well, I got in a lot less trouble,” he joked. “But I had a lot of people watching me. On set, there were about 60 men and eight or nine women working, and during breaks, we’d toss around footballs and baseballs—it was like an extended family.”
Jerry Mathers’ Iconic Audition
Jerry Mathers’ audition for the role of Beaver Cleaver is the stuff of TV legend. He showed up in a Cub Scout uniform, eager to head to a meeting afterward. His straightforward attitude and natural charm impressed the show’s creators, Joe Connolly and Bob Mosher. They knew instantly that he was perfect for the role.
Ironically, after landing the part of Beaver, Mathers didn’t have much time left for Cub Scouts, as filming took up most of his days.
Tony Dow Wasn’t the Original Wally
Tony Dow is best known for portraying Wally Cleaver, the ideal older brother. However, he wasn’t the first actor cast for the role. The original actor, Paul Sullivan, was replaced after a sudden growth spurt made him look too mature for the part.
June Cleaver’s Secret Scar
Barbara Billingsley, who played June Cleaver, is famous for her immaculate appearance, often seen vacuuming in pearls and high heels. Little did viewers know, her pearls were more than a fashion statement—they covered a surgical scar on her neck. As for the high heels, they helped maintain her height relative to her growing on-screen sons.
Mathers and Dow: On-Screen and Off-Screen Brothers
Jerry Mathers and Tony Dow shared a strong bond on set that translated into real life. They remained close friends long after the series ended. When Dow passed away in 2022, Mathers expressed his grief, saying, “He was not just my TV brother but, in many ways, a brother in life.”
The “Beaver Died in Vietnam” Rumor
One of the strangest myths surrounding Jerry Mathers was a rumor that he had died in Vietnam. In reality, Mathers never went to Vietnam, though he did enlist in the Air National Guard. He was turned down by the Marines due to concerns over the negative publicity if something happened to him during the war.
The Costliest Episode
One of the most iconic episodes of Leave It to Beaver aired on May 5, 1961, where Beaver climbs a billboard and falls into a giant cup of soup. This episode cost $40,000 to produce, making it the most expensive of the series, partly due to the elaborate set design.
Breaking TV Boundaries with Bathrooms
Leave It to Beaver broke new ground by showing a bathroom on TV—something that was considered taboo at the time. In one episode, Wally carries a toilet seat, making it one of the earliest shows to feature a bathroom, even if only the toilet tank was visible.
No Laugh Tracks
The creators of Leave It to Beaver made a conscious decision not to include laugh tracks, a staple of sitcoms at the time. They wanted the humor to arise naturally from the characters, maintaining the show’s gentle, family-friendly atmosphere.
The Legacy Lives On
Leave It to Beaver was more than just a reflection of 1950s and ’60s family life. It was a treasure trove of heartwarming stories, memorable characters, and yes—some delightful bloopers.
Next time you watch an episode, keep an eye out for those little mistakes that only add to the show’s charm. And don’t forget to share your favorite moments with us on social media—we’d love to hear the bloopers that made you laugh!
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