Sarah Jessica Parker is known for playing the fashionable character Carrie Bradshaw in the HBO show “Sex and the City.” However, the “Footloose” star often faces criticism for her real-life fashion choices.
Sarah Jessica Parker is famous for playing the stylish Carrie Bradshaw on the HBO show “Sex and the City.” During her time on the show, she became a fashion icon, inspiring women all over the world with her glamorous looks.
Many women looked up to her as a trendsetter, using fashion to express themselves and their feelings. However, in real life, Parker has never been as passionate about fashion. In a 2012 interview with People, she said that she doesn’t relate to her character’s fashion sense. She explained:
“It’s not how I think of myself, and I think it’s probably the healthier approach.”
Parker likes nice clothes and beautiful things, but you won’t catch her in a tutu at the grocery store. She believes that fashion takes a backseat to life, especially since she has three kids. She stated:
“It’s just not a reality — not when you have three kids, and you go to the market, and there are hungry people at home. You have a limited time to do it. There’s just no time to let vanity enter into that.”
People have often noticed her style choices. In an interview with Vogue, she mentioned that she finds it funny when people criticize her looks.
Over the years, she has faced backlash for her fashion choices, including a much-discussed outfit at the Met Gala. Parker said that people borrow styles that resonate with them at different times, but some will always dislike them. She doesn’t understand why people criticize her choices. “So, what’s the point of the criticism?” she asked.
Parker has learned to ignore her critics. For her everyday outfits, she chooses what she likes without worrying too much about whether it matches.
“Unsexiest Woman Alive”
Parker also faced tough times when Maxim magazine named her “Unsexiest Woman Alive” because she doesn’t fit certain beauty standards, like getting Botox or having fuller lips. She felt that this title was harsh and hurtful, affecting her and her husband, actor Matthew Broderick.
Things got worse when paparazzi took unflattering pictures of Parker having lunch with TV host Andy Cohen. She was makeup-free with her gray hair showing, leading to negative comments about her age. Cohen defended her, pointing out that he has gray hair too and called the comments “misogynistic.”
Parker did not stay quiet about the criticism. During an interview with Vogue, she spoke about how people seem to enjoy seeing others struggle with aging. She said:
“It almost feels as if people don’t want us to be perfectly OK with where we are, as if they almost enjoy us being pained by who we are today.”
She added, “I know what I look like. I have no choice. What am I going to do about it? Stop aging? Disappear?”
However, this was not the last of the harsh comments. In 2018, she faced ridicule again after wearing an ornate headpiece to the Met Gala. People mocked her looks online, calling her a senior citizen.
In June 2023, during a chat with Howard Stern, she discussed Hollywood’s obsession with cosmetic surgery and aging. When asked how she views herself, she said, “I’m presentable,” but added that she doesn’t enjoy looking in the mirror. She acknowledged that she thinks about cosmetic procedures but has never had plastic surgery, although she has tried skin treatments like peels.
Parker reflected on potentially getting a facelift at 44 but was uncertain about it. Stern expressed relief that she hadn’t gone through with it. She understands why some people choose procedures but knows that there is societal pressure about aging. She recalled the viral photo with Cohen, where people criticized her but ignored his gray hair.
Now in her late 50s, Parker remains unbothered by her critics and has clear thoughts on aging. She said in an August 2023 interview:
“I just don’t spend that much time [thinking about appearance]. It’s not that I don’t have an ego, that I don’t have a decent, healthy amount of vanity, but I just don’t want to spend that much time really deconstructing it all.”
Choosing Family over Fashion
Despite facing criticism over her fashion choices, Parker prioritizes her family. During New York Fashion Week in 2006, while others rushed to find the perfect outfits, she chose to stay home with her family. Her son James had just started school, and she wanted to be there for him.
Now, attending events is challenging since she has three kids. She and Broderick welcomed their first child, James Wilkie, on October 28, 2002, and he is now a student at Brown University. Their twins, Tabitha and Marion, were born on June 23, 2009, through a surrogate.
Though some fans criticize her, Broderick remains supportive. He often praises Parker’s beauty and feels lucky to be with her.
They married in a surprise ceremony on May 19, 1997, and have been happy ever since. Parker mentioned that their relationship thrives because they spend time apart and then come back together. She said on a podcast:
“I know this sounds nuts, but we have lives that allow us to be away and come back together.”
Broderick often shares how much he admires Parker, recalling their first date and how he remembers her clearly walking toward him.
Despite the negative comments and criticism, Parker feels secure in her relationship, partly due to Broderick’s constant support. He calls her “just a great, beautiful, hilarious person!”
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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