A woman who was kicked out by her rich father at sixteen for taking up with a poor man ends up living on the streets with her four children after her husband died.
Steve Walton was far from thrilled when his butler told him that Pastor Morris was waiting to see him. He was tired after a long flight from Singapore and in no mood for the man’s lectures or pleas for support for the community.
He had the pastor shown in and waved an impatient hand at his greeting. “Get on with it, man!” he snapped. “What is it that you want this time?”
“Mr. Walton, I saw Susan,” the pastor said quietly, and Steve’s heart nearly stopped. His only daughter had left his house nearly fifteen years before, never to be seen again…
“Susan?” Steve cried anxiously. “Where? When? How is she?”
“I was in Los Angeles, helping out a friend who has a mission among the homeless and that’s where I saw her,” the pastor said.
“She was a volunteer? Did you tell her I’ve been looking for her?” asked Steve.
“No,” Pastor Morris said gently. “She wasn’t a volunteer, Mr. Walton. She’s homeless. She and her children are living in a car.”
Steve found himself so dizzy he had to sit down. “Homeless? My Susan? Children?” he gasped.
“I’m afraid so,” the pastor said. “And she wouldn’t even listen to me when I told her to come home.”
“But why?” asked Steve angrily. “She’s not with that loser anymore, is she?”
“Her husband passed away three years ago, Mr. Walton,” the pastor explained. “And she told me she wouldn’t bring her children into a house where their father is despised.”
Steve Walton felt that old familiar wave of rage sweep through him. Fifteen years later, Susan was still defying him! He remembered the scene in his study, and Susan’s steady eyes looking into his as he ranted.
“Pregnant at sixteen, and by the GARDNER!” he’d screamed. “Well, we are going to have THAT taken care of, and HE’S fired! You will never see that man again!”
“THAT is my baby, daddy,” Susan had said in a tremulous voice. “And HE is the man I love. I’m going to marry him.”
“You marry that man and you’re on your own, Susan, do you hear?” Steve shouted furiously. “No more money, nothing! You marry him and you get out of my house!”
Susan had looked at him with tears in her eyes. “I love you, daddy,” she’d said. Then she turned around and walked away. Even though Steve had set detectives to find her, no one had been able to trace her.
“How many children?” he asked Pastor Morris.
“Four,” the pastor said. “Three girls and a boy. Beautiful children.”
Steve picked up his phone and spat out orders for his plane to be readied. “Pastor, would you come with me to Los Angeles, take me to my little girl?” he asked quietly.
The pastor nodded, and within two hours, the two men were on board Steve’s private jet winging their way south. There was a limo waiting for them, and the pastor directed them to a parking lot outside a large mall.
At the furthest end of the lot, a pickup truck was parked, with a tent set up at the back. Pastor Morris had told Steve that when Susan’s husband died in a work accident, the insurance company had refused to pay out and the bank foreclosed on the mortgage.
Susan had piled the children and their few belongings into the old pickup. She worked at the mall as a cleaner. She and the children used the mall’s facilities and bought whatever was leftover at the restaurants at the end of the night.
Still, she had managed to keep the four children fed, clean, and in school. As the two men approached the truck, they heard cheerful voices and laughter. Then two children tumbled out of the back.
The biggest girl, about fourteen, was laughing as she tickled a boy of about seven. The children stopped and gaped at Steve and Pastor Morris. “Mom!” the girl yelled. “That old preacher friend of yours is here!”
A well-remembered voice asked from inside the tent, “Preacher Morris?” Then Susan climbed out and Steve could see the shock in her face when she saw him standing next to the pastor.
“Daddy?” she asked, and her eyes filled with tears.
Steve was shocked. His daughter was barely thirty-one, but she looked much older. Her face was worn and lined with worry and suffering, her hands coarsened by hard work.
“Susan,” Steve cried. “Look at you! Look at what HE did to my princess! I wanted so much for you! And you married that loser! What could he give you? Poverty?”
Susan shook her head and said, “He loved me, daddy, and he gave me 4 beautiful children. He died, and I had nowhere to go, but I’ve done what I can for my children. I will always love the father of my children, daddy, just like I’ve always loved you.”
Steve found that he had tears running down his face. “Forgive me, Susan,” he sobbed. “Please forgive me. Come home, I want you all to come home with me. Let me help you take care of the children!”
Steve found himself holding his weeping daughter and knew that everything was going to be alright. Susan introduced him to his three granddaughters, then she placed her hand on the boy’s shoulder. “And this,” she smiled, “is little Stevie!”
“You named him after me?” Steve asked, astounded. “After what I did?”
“I love you, daddy,” she said softly. “Don’t you know that?”
That afternoon, they all flew home to Texas. It was the beginning of a better life for all of them.
What can we learn from this story?
Love and accept your children unconditionally. Steve was furious with Susan for loving a poor man and made the biggest mistake of his life by losing his daughter.
Don’t judge people for their wealth or influence. Steve hated his son-in-law because he was poor, but he was a loving husband to Susan and a dedicated dad.
Share this story with your friends. It might brighten their day and inspire them.
86-Year-Old Claudia Cardinale Proves You Don’t Need Surgery to Look Stunning
Claudia Cardinale, a well-known actress, has acknowledged aging with conviction and grace, stating that one cannot “stop time.” Look at the seasoned actress’s incredible growth throughout time.
Italian actress Claudia Cardinale was rather well-known in Hollywood during its prime. She has starred in more than 100 movies during the course of her illustrious career; the years 1960 to 1970 were her busiest.
In just one decade, she acted in over thirty films, including beloved series like “8½” (1963), “The Leopard” (1963), and “The Professionals” (1966), in which she costarred with Lee Marvin and Burt Lancaster.
One of her best performances is in the cult classic “Once Upon a Time in the West” (1968), directed by Sergio Leone. When asked about her memories of working with Leone, Cardinale mentioned in an interview that he had a unique working style.
She added that he would have the actors listen to the score before filming a scene, and that he would have the music created before shooting started. The Tunisian native said, “My main advantage was that I didn’t ask to go to Hollywood, they called me,” when discussing her acting career in the United States.
Hollywood studios scurried to grab hold of any emerging star during that period, with the aim of controlling all the rising talent. They regularly offer actors restrictive contracts to sign, which could eventually hinder their careers.
But Cardinale managed to block her own path. She accepted one contract at a time, refusing to sign an exclusive agreement with Universal. She was able to continue her profession and move in the industry at her own pace as a result.
Cardinale made her mark in “The Pink Panther” and “The Professionals” during her three years in Hollywood. She also appeared on screen with notable actors like Rock Hudson in “Blindfold” and with John Wayne and Rita Hayworth in “Circus World.”
She also had the opportunity to mingle with a number of Hollywood heavyweights, including Steve McQueen, Barbara Streisand, and Warren Beatty.
The two films that Cardinale debuted at Cannes in 1961 were Mauro Bolognini’s “The Lovemakers,” in which she costarred with Jean-Paul Belmondo, and Valerio Zurlini’s “Girl With a Suitcase,” in which she portrayed a self-reliant singer.
She returned to the Croisette in 1963 with two landmark pictures, “8½” by Federico Fellini and “The Leopard” by Luchino Visconti.The well-known actress confirmed in an interview that she shot both movies simultaneously.
Cardinale revealed that whereas Visconti preferred her to have black hair, Fellini preferred a golden appearance. Cardinale had very long hair at the time. Every two weeks, she had to change the color of her hair to suit their different opinions.
After that, Cardinale started a three-year career producing Hollywood films, appearing in two of them as co-stars alongside Rock Hudson, namely “Blindfold” and “Lost Command.”
She disclosed, “At the time, Universal wanted me to sign an exclusive contract,” about this encounter. Yet I responded, “No, I’m European.” I’m returning. However, they persisted a lot!
Unlike many other women, Cardinale has never participated in a nude scene. Aside from her work in movies, she is totally committed to women’s issues and has no desire in getting cosmetic surgery.
In an interview, she once disclosed, “I have never engaged in face-lifting—what do you think? similar things. “Wait until you are older; you will always be smiling,” my mother used to remark. It is accurate. Why then would you conceal it?
The actor is still heavily involved in the entertainment business; at one point, his film “And Now…Ladies and Gentlemen” was shown at the Cannes Film Festival outside of competition.
Her final motion picture role was in the Italian-Tunisian production “The Island of Forgiveness.”At the age of 77, Cardinale said of her continuous appearance on television, “The most important thing is to stay active.” Since time cannot be stopped, I dislike all of these facelifts and plastic surgery procedures.
The “All Roads Lead to Rome” actress was the 1957 winner of the title of “Most Beautiful Italian Girl in Tunisia.” See how the 86-year-old actress has changed throughout the years to showcase her breathtaking beauty.
Cardinale’s career spans several decades, demonstrating her enduring brilliance, grace, and fortitude. One of the most recognizable stars of Hollywood’s heyday, she has inspired others to embrace honesty and inherent beauty in addition to leaving a lasting impression on the motion picture business.
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