Paul Rosolie, a seasoned conservationist and passionate advocate for the Amazon rainforest, embarked on an extraordinary and controversial mission: he attempted to be eaten alive by a giant green anaconda.
His goal? To raise global awareness about the alarming rate of deforestation and the destruction of one of the world’s most vital ecosystems.
Having spent years studying the Amazon’s rich biodiversity, Rosolie wanted to create a bold statement that would capture worldwide attention. Equipped with a custom-built carbon fiber suit designed to endure the crushing force of the snake’s coils, an integrated oxygen supply, and multiple cameras attached to document the experience, he approached the massive predator.

The entire endeavor was captured in a Discovery Channel documentary. Despite the advanced protective suit, Rosolie described the immense physical strain he endured as the snake began to constrict him. “I’m getting coils over me,” he said during the harrowing encounter. “She’s got my arms pinned. She knows there’s nothing I can do.”
As the snake tightened its grip, Rosolie’s breathing became labored, and his heart rate skyrocketed. Eventually, the monitoring team intervened and freed him from the snake’s crushing embrace before the situation became critical.

Reflecting on the experience in an article for The Guardian, Rosolie admitted feeling a mix of grim amusement and frustration over the sensationalized marketing of the documentary. The stunt sparked backlash from animal welfare groups and segments of the public, raising questions about the ethics of such an experiment.
“I was willing to try something risky and, yes, maybe ridiculous, to draw attention to a place and a species I deeply care about,” Rosolie explained. “If offering myself to a snake was the cost of bringing awareness to the Amazon’s plight, then I was prepared to pay it.”
For two intense hours, Rosolie remained trapped in the suffocating suit, experiencing the raw power of one of nature’s most formidable predators. His controversial experiment ignited global conversations about conservation, the fragility of the Amazon rainforest, and the urgent need for action.
Whether viewed as reckless or heroic, Paul Rosolie’s bold stunt undeniably succeeded in shining a spotlight on an environmental crisis that demands our immediate attention.
The Corpse of Drew Barrymore’s Grandfather Was Stolen for One Last Celebration
John Barrymore came from a long line of theater actors. He himself first appeared on stage alongside his father in 1900, and in 1903 officially began his career, starring in the likes of Justice (1916) and Richard III (1920). His greatest role was his 1992 appearance in Hamlet, for which he was dubbed “the greatest living American tragedian.”
Barrymore also starred in a slew of silent films, most notably Dr. Jekyll and Mr. Hyde (1920), Sherlock Holmes (1922) and Beau Brummel (1924). He later made the transition to sound movies, starring in the likes of Grand Hotel (1932) and Midnight (1939).
On May 29, 1942, Barrymore died at the age of 60 from pneumonia and cirrhosis. What happened next has been the subject of many rumors. It’s alleged his friends, Errol Flynn, W.C. Fields and Sadakichi Hartmann snuck into the morgue where his body was being held, propped him up against a poker table and allowed him to experience one final celebration.
As it turns out, these rumors are true! In an August 2020 episode of the popular YouTube series Hot Ones, the acting legend’s granddaughter, Drew Barrymore, revealed his corpse had actually been stolen.
“Not only yes, but there have been cinematic interpretations of it,” she exclaimed. Those interpretations include S.O.B., starring Julie Andrews, and allegedly the 1989 comedy Weekend at Bernie’s, in which two friends pretend their deceased boss is alive.
Barrymore added that she wants the same to happen to her. “I will say this, I hope my friends do the same for me. That is the kind of spirit I can get behind. Just prop the old bag up, let’s have a few rounds.

“I think death comes with so much morose sadness and I understand that, but if it’s okay, just for me, if everybody could be really happy and celebratory and have a party, that would be my preference.”
Vintage Hollywood certainly was a different era…
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