When Ella hears strange noises coming from her attic while her husband, Aaron, is away, she fears the worst. But nothing could prepare her for the shocking discovery of her mother-in-law, Diane, hiding upstairs… What is going on?
It all started about a month ago, right after my husband, Aaron, left for a weeklong work trip. I’d never minded being alone in our cozy suburban house before, until the noises started.
A man walking out of a house | Source: Midjourney
At first, it was just the occasional soft thud from above. I brushed it off, telling myself the house was just settling. And if I’m being honest, our attic wasn’t really an attic.
It was a room on the third floor that had large windows that Aaron and I had boarded up when we moved in, and there was a thin balcony with a staircase leading to the ground floor.
We assumed that it was a sunroom or an art studio before we moved in.
An empty room | Source: Midjourney
I always planned on turning the space into something for myself, but the opportunity just never presented itself.
I heard another sound, and my breath caught. Old houses creak, right? Maybe a squirrel or two had found their way into the attic. But then, the sounds became more frequent, and more… human.
Whispering, faint but unmistakable.
A squirrell in an attic | Source: Midjourney
One night, lying in bed scrolling through my phone, I heard it.
There it was, a low, guttural moan. My stomach twisted, my breath catching in my throat.
This wasn’t a squirrel. No way.
I grabbed my phone and texted Aaron immediately.
A woman using her phone | Source: Midjourney
I think something, or someone, is in the attic!
His reply was just as immediate:
Ella, it’s probably nothing. I’ll check when I get back.
His casual response annoyed me. How could he be so dismissive?
I resolved to ignore the noises, telling myself I was overreacting.
A concerned woman | Source: Midjourney
But a few days later, when I was getting ready for bed, I heard footsteps. Like real, heavy footsteps above me.
That was the breaking point. Suddenly, I couldn’t wait for Aaron to come home anymore. What was the point? There could have been someone sleeping under the same roof as me the entire time! I no longer felt safe.
Grabbing the baseball bat we kept in the garage for emergencies, I texted him again, letting him know I was going up to investigate.
A baseball bat in a garage | Source: Midjourney
His response chilled me to the bone.
Ella, please, love. Wait for me to check the attic. It’s really important that I do it.
Why wouldn’t he want me to go up there? What did he know? My mind spun with questions. Was he hiding something? Was I in danger?
Was someone squatting in our home?
A woman looking concerned | Source: Midjourney
Despite the knot tightening in my stomach, I couldn’t stop myself. I needed to know for myself.
With every creaky step up the narrow staircase, my heart pounded harder. I gripped the bat like it was my lifeline and pushed open the door to the attic.
The sight in front of me made me freeze.
There she was. My mother-in-law, Diane!
A narrow staircase | Source: Midjourney
She was standing in the middle of the attic, dressed in a nightgown and robe, holding a paintbrush like a deer caught in headlights.
“What on earth are you doing here?” I shrieked, almost falling over my own feet. “Why did you moan? Are you okay? Did you get hurt?”
What was going on? Seriously.
An older woman holding paintbrushes | Source: Midjourney
Diane’s face flushed with embarrassment as she dropped the brush and held up her hands.
“Ella! Calm down! It’s not what you think!”
“Not what I think? I don’t even know what I think, Diane! You’re living in my attic?”
She sighed and rubbed her temples, muttering under her breath.
A shocked woman | Source: Midjourney
“I knew this was going to happen, but Aaron just doesn’t listen. Just… just sit down for a second. I’ll explain everything.”
I didn’t move, still gripping the bat, as if for moral support.
My mother-in-law was an assertive woman who rarely seemed fazed by anything. Seeing her look this sheepish was unsettling. After a beat, I slowly lowered myself onto a dusty box, keeping my eyes on her.
A dusty wooden box | Source: Midjourney
“Okay, look,” she began, her voice tinged with guilt. “Your husband is going to kill me for ruining the surprise. But you deserve to know, Ella. Aaron’s been working on something special for you!”
I raised my eyebrow.
“What kind of special involves you squatting in my attic? Are you the new resident ghost?”
She winced.
A frowning woman | Source: Midjourney
“I’m not squatting! Aaron wanted to create a space for you. Like… a space where you could finally turn your baking hobby into something more. He decided to renovate the attic into a studio.”
That caught me off guard.
“What? A studio?”
A woman in the kitchen | Source: Midjourney
“For your dream, Ella,” she said, gesturing around the room. “Look, this is an attic where we would be able to cook or bake up here. There’s enough room. Aaron wanted to surprise you with a space where you could bake, experiment, and maybe even start selling your creations. But he’s been terrible with design! So he asked me to come over and help. Every day, after you leave for work, I come in and oversee the contractors.”
“Contractors?” I asked.
I felt stupid. Diane was saying things, but my brain just wasn’t processing any of it.
Contractors working in a room | Source: Midjourney
“Yes, contractors. We’ve sorted out the plumbing so that you’ll have a fully functional kitchen. The electricians are coming in next week to sort out the plugs. And I’ve been coming in to decorate and paint and all those cute things…”
Aaron and Diane had been hiding this? Also, how had I not noticed any of it? Was I seriously that aloof?
“But why stay here?” I asked, still suspicious. “In the attic?”
An electrician working | Source: Midjourney
“In the studio, you mean?” she said. “I wasn’t actually staying here full-time. I just kept coming and going through the balcony and the staircase on the side. I didn’t want to keep dropping by and risk you catching on.”
“And the moaning and groaning?” I asked.
Diane bit her lip, looking truly mortified.
An older woman with her hand on her head | Source: Midjourney
“I completely underestimated how tough this would be on my back. The moans were me… stretching, darling.”
I stared at her, trying to reconcile the bizarre reality in front of me. Slowly, I took in the space. The attic, though still a work in progress, was beautiful.
The huge windows were cleaned, all the dust and grime removed, and I could imagine the light streaming in during the day. It would be perfect.
A surprised woman | Source: Midjourney
I took in the half-painted walls which bore whimsical murals of cupcakes and rolling pins. Sketches were pinned everywhere, showing shelves for ingredients, a central island for prep work, and a cozy sitting area by the windows.
Pinned on one board was a blueprint with a title in Aaron’s handwriting:
Ella’s Baking Studio
Sketches on a wall | Source: Midjourney
My throat tightened.
“This is really for me?” I asked.
Diane nodded, her face softening.
“He wanted you to have a space where you could do what you love. He’s been feeling guilty about how busy he’s been with work. He thought this would show how much he appreciates everything you do.”
A smiling man | Source: Midjourney
I sat there in stunned silence as tears pricked my eyes.
Days of paranoia, thinking there was some dark secret lurking in our attic… only to find this?
A gift born from love and thoughtfulness?
Later that evening, Aaron called. I could hear the tension in his voice when he spoke.
A woman talking on the phone | Source: Midjourney
“Ella, please tell me that you didn’t go up there. I’ll ask Kevin from next door to check.”
“I did,” I admitted. “Aaron… I don’t even know what to say.”
There was a beat of silence, followed by a soft laugh.
“Well, there goes the surprise.”
A smiling man | Source: Midjourney
“I don’t deserve this,” I admitted.
“According to whom?” he asked. “You’re the glue that holds our family together, Ella. This is just my way of showing you how much I love you. And that you don’t have to stay at your job if you don’t want to. This can be your new start.”
When Aaron came home a few days later, we all worked together to finish the studio. Diane proved invaluable; her eye for décor was something else.
A mural painted onto a wall | Source: Midjourney
The space turned out better than I could have imagined. Every time I step into that sun-kissed studio, surrounded by shelves lined with jars of baking delights, I’m reminded of the love that went into it.
Diane and I have grown closer since that day, though I still tease her about the “attic residency” moment in our lives.
Sometimes, life’s twists aren’t about shocking betrayals or sinister secrets; they’re about uncovering the quiet, unexpected ways the people around us show their love.
A beautiful baking studio | Source: Midjourney
Brenda thought her marriage to a widower would be her chance to build a loving, blended family. But when her young stepson insists his “real mom” is still living in their house, strange occurrences and hidden secrets force Brenda to question everything she thought she knew about her new family.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Actor Ali MacGraw sacrificed her own career for Steve McQueen
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and she’s aging gracefully with her grey hair.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
(Photo by Silver Screen Collection/Getty Images)
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
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