Today, let’s have a little game! What purpose did these vintage items serve, do you know? These enigmatic things, which range from strange equipment to unusual decorative pieces, may leave you perplexed. Don’t worry, though; try it and see if you can envision what people in earlier eras did with these fascinating objects.
First Item: The Coin Gatherer
First up, we have a mixed-metal object with connectors on the sides and slots on top. Do you know what it was used for in the past?
You’re 100% correct if you assumed it was a coin collector! Conductors of trains and buses would deposit the fares into slots and then pick up the neatly piled coins from the bottom. They could fasten it to their belts using the hooks on the sides. Remarkably, a contemporary rendition of this is still in use at a few locations where admission is free of charge. Pretty smart, huh?
The Sand-Filled Swim Cap is item #2.
This is an intriguing cap with chin straps, a blue interior, and a feminine printed pattern. Would you want to guess? Here’s a hint: it has sand inside of it!
Actually, this peculiar headgear is an antique handmade swim cap. People used to love modeling swim caps after the aviatrix fashion trend back in the 1920s. However, home sewers had trouble finding rubber ingredients. They then devised a clever fix: the cap was filled with sand, and the channels and stitches were machine-sewn.
Why the sand? As a water blocker, it lets swimmers select their own fabric pattern rather than being restricted to yellow or black rubber. Undoubtedly a novel strategy!
The Iron Flue Damper is item #3.
Now look at this iron object that has two stamps on it. Along an iron post with a spiraling end, the iron plate swivels. Any suggestions?
You’re exactly right if you assumed it to be an iron flue damper! Even though they are rarely seen, these iron flue dampers are still in use today. We enjoy finding unique artifacts that are a part of our past when we go antique shopping. It resembles going back in time!
The Victorian Shop Dispenser (Item #4)
Admire this metal box with a beveled glass front and elaborate gold stenciling. It even features a tiny sliding door with a dog picture on it. How do you suppose it was put to use?
Actually, this graceful box is a Victorian-style shop dispenser. It came in several sizes and was intended for bulk sales. This one had a label insert for gunpowder, but it may have also been used for bulk commodities like sugar or confectionery. Customers could see the quality of the products they were buying because to the glass front. Why was there a picture of dogs hunting? Well, since the purpose was to hold gunpowder exclusively, it’s merely an ornamental touch. This is a very fascinating essay, isn’t it?
The Cedar Butter Churn is item #5.
Take a look at this big wooden drum with a handle, a footed base, and a lid. There’s a crank on the side of it also. Any ideas about what it’s meant to accomplish?
This wooden drum is a butter churn made of cedar. To produce more butter, it was utilized. It says “Farm Master Dairy Supplies” on the other side. However, we didn’t want to reveal anything too quickly! Knowing about these antiquated gadgets truly transports us to a bygone era of ease.
The Soda Bottle Stand is item #6.
Look at this three-tiered metal stand for a moment. Each tier has a notch carved out of it. It is nearly four feet tall and supports itself on three legs. What was the purpose of it, do you suppose?
The purpose of this booth was to showcase Coke bottles—but not just any soda. Nehi purposely made it as part of their marketing strategy for their soda bottles. With their handy necks, the bottles fit well in the triangle shape with the notches. These stands used to be found in grocery stores and local stores during the Great Depression. They were really impressive!
There you have it, then! These enigmatic objects transport us through time and serve as a reminder of the inventiveness and resourcefulness of earlier generations. How many of those were accurate guesses, then?
She made waves in Hollywood with her blond hair & blue eyes, but look at her now
Kathleen Turner rose to fame in the 1980s as a result of her strength and beauty; many consider her to be one of Hollywood’s most beautiful actors.
Over the years, the actress has faced numerous challenging and favorable situations, and her perseverance has carried her through them both.Kathleen Turner was raised in a home with four other children, despite her difficult past.
She and her siblings were raised in both Venezuela and London. When she was a little girl, she tragically witnessed her father’s sudden death when he was mowing the lawn of their Hampstead house.
A month following his passing, the foreign service ejected Kathleen and her family from the United Kingdom. In Springfield, Missouri, where everyone was still grieving for their father and their previous home, Turner relocated her family.
Finally, Tuner felt at peace after moving to New York to pursue an adult acting career. Her major break came when she was hired as the femme fatale in the 1981 film “Body Heat,” despite her success on stage.
Turner was offered the opportunity to co-star with Michael Douglas in the well-known “Romancing the Stone” three years after sharing the screen with William Hurt. During filming, Douglas was going through a difficult divorce from his wife Diandra, and he started to feel a connection with Turner.
We were intensely flirting and exchanging intense, yearning glances as we were falling in love. Kathleen remarked, “Then Diandra came down and reminded me he was still married.”
In the end, she wed Jay Weiss, the movie’s real estate developer, in 1984. Soon after, the couple welcomed their only daughter together. October 14, 1987, was Rachel Ann Weiss’s birthday.
Regretfully, when the couple started parenting their daughter, their relationship started to fall apart.
“I would demand extended weekends or additional passes from the film studios so that my spouse and daughter could visit me. However, I felt bad since there was a feeling in the marriage that all the work was on his end. It terminated for a few reasons, including that. I began to experience extreme oppression. Kathleen said, “I thought, ‘Hang on a minute, you’ve done very well out of being married to me also.’”
When Turner played Martha in the 2005 Broadway production of “Who’s Afraid of Virginia Woolf?” their marital problems came to a head. Turner became incredibly busy performing in eight shows a week, and it seemed Weiss didn’t want to spend any time with her at home.
During that time, Turner was nominated for a Tony Award for her portrayal of Martha, and the two got along well.
The actress was nominated for an Oscar in 1987 for her role in “Peggy Sue Got Married.” She went on to produce several films in the 1980s, including three blockbusters starring Michael Douglas.
But in the 1990s, Kathleen experienced a medical setback when her neck locked, making it impossible for her to turn her head. Additionally, the swelling in her hands prevented her from using them.
Kathleen stated, “It was crippling.” When something is gone, even for a little while, you stop taking it for granted. What I took for granted was my athleticism, my capacity for forceful movement, and my freedom to move however I pleased. I had a genuine identity crisis when I lost that: “Who am I if I can’t do this?”
She was diagnosed with rheumatoid arthritis, which is characterized by swelling of the lining of our joints, and this was the tragic reason for her circumstances. Managing chronic pain caused by this illness can be difficult.
Kathleen remarked, “When it was first diagnosed, I was terrified because they said I’d be in a wheelchair.” “I reasoned that I couldn’t act if I couldn’t move. Not everything I want to do is act. I was destined for this. It’s present throughout my entire life. The most terrifying aspect was the thought of not being able to accomplish it, together with the ongoing discomfort.
Kathleen took drugs and alcohol to ease her pain. Her habit of drinking vodka led her to faint during dress rehearsals for plays such as the 2002 stage version of “The Graduate,” even if they made her job simpler.
The actress really checked herself into rehab after the show concluded, and it was found that she was not an alcoholic. Instead, she was told to just remember to take more notes on when she took her medications and any unfavorable side effects.
The actress now does pilates and yoga to help her stay flexible and manage her discomfort.
The famous person began to focus more intently on her career in theater while also improving her pain management. As she grew older, she largely returned to her roots, even taking the lead in a stage production of “Cat on a Hot Tin Roof” in her forties, even though she still worked sometimes in film and television.
“It was a little foresight on my part of which I am justly proud, because I knew that the better roles as I got older would be in theatre, which is absolutely true,” Kathleen remarked.
By focusing on the theater, the actress has had more time to pursue her passions, which include working for Planned Parenthood of America and volunteering for Amnesty International.
For most of her life, Turner has been an ardent feminist who has devoted her life to helping other women. Gloria Feldt’s 2008 biography of the actress, Send Yourself Roses, captures her thoughts perfectly.
As women, we are the first generation to achieve financial independence. Women are returning to the workforce, stated Kathleen. They’re redefining who they are. I believed I could contribute to that, even more. It therefore contains a great deal of philosophy as well as my personal beliefs.
What are your thoughts on Kathleen Turner’s difficult yet fruitful journey? Tell us in the comments below!
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