“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.

Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.

He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.

“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”

Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
Brother Wants to Adopt His Little Sister after Dad’s Death, Finds Out His Wife Is against It
A woman refused to take her husband’s younger sister in after her father’s death because the couple had decided not to have children together. The husband felt conflicted, as he wanted to care for his sister, but his wife disagreed.

The husband, referred to as the original poster (OP), shared on Reddit that after his father passed away, leaving his sister with no one to care for her, he planned to do anything for her. However, his wife did not share the same sentiment.
The couple had been married for two years, and the OP’s sister, who was much younger, saw him as more of a father figure than an older brother. The little sister was eleven when their father passed away.

The dilemma arose because the OP and his wife had not welcomed any children and had no plans to in the future. Despite the tragic loss, the couple did not want children, which became a source of tension.

The OP’s sister had two options for guardianship – the OP or their uncle (their father’s brother). They asked the sister to choose, and she opted to stay with the OP.
However, the wife objected, stating that taking in the sister would mean having a child, and since the uncle could adopt her, they shouldn’t have to.
The OP, prioritizing his sister’s well-being, insisted on taking her in, leading to conflict with his wife. After a heated exchange, the OP told his wife that he would let his sister stay with them, even if it meant divorce. They did not talk for a while.
In an update, the OP mentioned that he and his wife decided to go their separate ways after discussing the situation again.

The wife claimed he chose his sister over her, and the OP affirmed that his sister was his priority. Many people supported the OP’s decision, commending him for prioritizing his sister’s needs.
Some criticized the wife for not being more compassionate, while others empathized with her perspective, acknowledging the challenges of caring for a child dealing with trauma.
The OP and his wife ultimately parted ways, with the OP embracing the role of a single father-figure for his sister.
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