Anne Hegerty, 66, from The Chase, shared her worries about dating. She talked about how her longest relationship only lasted four months and that she has never had children.

Anne Hegerty, known from The Chase, shared that her biggest fear about dating is having a man invade her personal space.

The quizzer, who was diagnosed with autism at 45, opened up about her challenges, mentioning a time when she unplugged her phone to stop a boyfriend from contacting her.

At The Paul Strank Roofing Charity Gala in Kensington, London, she honestly said that she thinks she would make a terrible partner.

Anne, 66, said, “I really struggle with being close to others and having anyone else in the house.

“I think a lot of autistic people don’t get married or settle down.”

The Chase star Anne Hegerty has revealed her biggest fear about dating is having a man encroach on her personal space (pictured in June)

Anne explained, “I don’t even have pets because of this, and my ability to live with other people is getting smaller. I need a lot of alone time.

“I always feel like I need more space than anyone can give me. If I wanted a relationship, I could find one, but honestly, I don’t.”

She also mentioned that her longest relationship only lasted four months. Reflecting on that time, she said, “It only worked for those few months because I was in Manchester. I kind of set it up so it wouldn’t last.”

In the end, she wrote to him to end things. “I remember crying with relief and then crying with guilt,” she shared.

Anne felt overwhelmed during that relationship. “Sometimes, I unplugged the phone because he tried to call me every day. I just wanted it to be over.

“I’d sit there waiting for the phone to ring, thinking, ‘Don’t phone, don’t phone, don’t phone!’ Other times, to get over the waiting, I’d call him, but that made him think I wanted to talk. I really just wanted to end it. I didn’t want to talk to him or anyone!”

Anne joked that she hasn’t lacked offers from admirers who seem to like her “Mrs. Trunchbull” Governess outfit.

She said, “I’m sure some people are attracted to the whole look of The Governess. I think there are some who might be interested if they let me.”

Anne said, “I do meet attractive men, but I know it won’t work out. I feel like it’s not fair to them because I won’t treat them well.”

She added, “I always want more space than they can give me. If I wanted a relationship, I could find someone, but I don’t.”

She thinks it’s better not to date at all and enjoys having men as friends more than women. She recalled a quiz she attended in June, where a woman pointed out they were the only two women in the room, but Anne hadn’t even noticed because she was talking to her male friends.

Anne also shared that this is part of why she never had children, even though she is great with kids. “I did want children, but I knew I wouldn’t be able to handle it very well.”

About 20 years ago, two kids from her neighborhood used to come over. “We limited their visits to just one hour a day, but they always wanted to stay longer. They were wonderful kids, and we’re now friends on Facebook, but I couldn’t handle that for more than an hour.”

Speaking at The Paul Strank Roofing Charity Gala at The Royal Garden Hotel in Kensington, London (pictured at the event this month) she insisted she’d make a terrible partner

Anne takes her role as godmother to Mark “Beast” Labbett’s eight-year-old son, Lawrence, very seriously.

She said, “Lawrence’s birthday is at the end of November, so I usually send a birthday and Christmas present at the same time—but they are not the same gift. My parents had winter birthdays, and I knew they hated getting just one present for two celebrations.”

Anne joked that one of the gifts she gave Lawrence was a bit inappropriate—a toy crossbow. “So, weaponry,” she laughed. “But lately, I’ve been giving him Minecraft vouchers since he really loves that.”

She also mentioned that she has spent Christmas alone for the past 40 years. That’s why she’s especially happy to be playing the Fairy Godmother in this year’s panto, Cinderella, in Scarborough.

Anne, who was on I’m A Celebrity… Get Me Out Of Here in 2018, said, “Now that I’m in panto, I can say, ‘Sorry, I’m in Scarborough!’ and that’s my only day off.”

She sees it as a great day off. Even though many people invite her to spend Christmas with them, she prefers not to. “I don’t do Christmas dinner or a tree. When I was a kid, I just remember all the pine needles everywhere!”

Earlier this year, Anne took on another acting role, making a cameo as a neighbor in a film called Exorcising Barry, which is about a man obsessed with a demon.

(L-R) Shaun Wallace, Darragh Ennis, Anne Hegerty, Paul Sinha, Jenny Ryan and Mark Labbett on Beat The Chasers in 2021

Anne said that any chance of going to Hollywood is out of the question.

She explained, “America wouldn’t want me because I’m fat. I have a friend who went there for work, and even though she looks amazing, they told her she needed to lose weight. I’m fine with how I am, but they don’t like fat British actresses.”

Despite this, she has had great success in Britain. Talking about The Chase’s recent National Television Award win, she said, “I’m so happy. Bradley Walsh is amazing. It’s been 14 years, and I love it.”

She added, “Other kids used to sing in front of the mirror with a hairbrush. When I was younger, I practiced being interviewed for when I became famous. I don’t know why, but it’s always been my dream.”

Recall this legendary item that provided us with a lot of data.

A Glimpse into the Past
Before the digital age, the vintage telephone address/phone book index flip open was a staple in homes and offices. This compact and ingenious device held a treasure trove of contact information, organized in a way that made accessing phone numbers and addresses quick and easy.

Origins and Evolution
The telephone address/phone book index flip open originated in the early 20th century, during a time when telephones were becoming more widespread. People needed a practical way to store and retrieve contact details. The flip-open design, often featuring a spring-loaded mechanism, allowed users to quickly flip to the desired letter and find the needed contact.

Design and Features
These vintage devices were typically made from durable materials like metal or hard plastic. They featured tabs for each letter of the alphabet, making it easy to categorize and locate entries. Some versions even had a small notepad or a slot for storing a pen, adding to their functionality. The tactile experience of flipping through the index and the satisfying click of the mechanism were part of their charm.

Usage and Popularity
In an era without smartphones or digital contacts, these flip-open indexes were indispensable. Families kept them near the telephone for easy access, while businesses relied on them to manage client and supplier information. They were particularly popular in the mid-20th century, coinciding with the post-war economic boom and the subsequent rise in consumer goods.

Legacy and Collectibility
Today, vintage telephone address/phone book indexes are cherished by collectors and nostalgia enthusiasts. They represent a bygone era of simplicity and ingenuity. While they may no longer serve a practical purpose in our digitally connected world, their legacy lives on as a reminder of how people once managed their personal and professional networks.

Modern Influence
The design principles of these vintage devices continue to influence modern technology. The emphasis on organization, ease of use, and quick access can be seen in today’s digital contact management systems. Furthermore, their aesthetic appeal has inspired retro-themed decor and office supplies, blending vintage charm with contemporary functionality.

The vintage telephone address/phone book index flip open remains a beloved relic of the past. Its history, design, and lasting impact on both practical use and cultural nostalgia highlight the ingenuity of simpler times. As a collectible item, it continues to evoke fond memories and admiration for an era when managing contacts was a tactile, deliberate process.

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