In the heart of Los Angeles, a tale unfolded that touched the souls of many—a tale of abandonment, resilience, and compassion. It began with a simple phone call, one that sparked a mission of hope and redemption for a lonely soul trapped in the depths of the city’s river.
The call came to Hope in the Paws, a beacon of light for animals in distress. On the other end of the line was a plea for help, a desperate cry for assistance for an elderly dog stranded in the labyrinthine maze of the Los Angeles River. For weeks, the community had rallied around the dog, providing what little sustenance they could offer, but they knew that without intervention, his fate would be sealed.
With urgency in their hearts and determination in their eyes, the volunteers of Hope in the Paws sprang into action. But as they approached the river’s edge, they were met with a sight that tugged at their heartstrings—the elderly dog, once proud and majestic, now reduced to a trembling, frightened creature, his eyes betraying the fear and uncertainty that gripped his soul.
Undeterred by the enormity of the task before them, the volunteers pressed on, fueled by a singular purpose—to bring comfort and salvation to this vulnerable being. With each step closer, they could hear the soft whimpering of the dog, a haunting melody that echoed through the silence of the river.
But then, something miraculous happened. As one of the volunteers extended a hand of kindness towards the dog, offering nothing but love and compassion, the trembling ceased, and the fear began to ebb away. In that moment, amidst the chaos and turmoil of the river, a bond was formed—a bond forged in the crucible of adversity and sealed with the simple yet profound language of empathy.
With gentle hands and tender words, the volunteers lifted the elderly dog from his watery prison, cradling him in their arms as they made their way to safety. And as they emerged from the depths of the river, they were greeted by the warm embrace of the community, their faces alight with gratitude and hope.
The rescue of Peggy the German Shepherd was not just a triumph of human kindness—it was a testament to the power of compassion and the resilience of the human spirit. And as Peggy took her first tentative steps towards a new life, she carried with her the unwavering support of all those who had rallied behind her—a reminder that no soul is ever truly alone as long as there are hearts willing to open and hands ready to help.
So here’s to Hope in the Paws, an organization built on the belief that every life is worth saving and every creature deserving of love. Thank you for your tireless dedication, your boundless compassion, and your unwavering commitment to making the world a better place—one rescue at a time.
And to Peggy, may your journey be filled with warmth and joy, and may you always know that you are loved beyond measure. You may have been abandoned and trapped in the depths of a river, but today, you are free—free to run, free to play, and free to bask in the boundless love that surrounds you.
This is the story of Peggy the German Shepherd—a story of hope, redemption, and the enduring power of love. And as her tale spreads far and wide, may it serve as a beacon of hope for all those who find themselves lost and alone in the world.
With her blond hair & blue eyes, she was making waves in Hollywood – but look at her now
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner was reared in a home with four other children despite having a difficult upbringing. She and her siblings were raised in both Venezuela and London. She experienced tragedy when, at a young age, her father passed tragically suddenly while mowing the lawn of their Hampstead house.
The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..
After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
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She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.
Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.
In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.
Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”
After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.
The actress now practices yoga and pilates to help her manage her discomfort and stay flexible.
The celebrity started to truly concentrate on her theatrical profession while managing her pain better. Although she occasionally continued to work in cinema and television, she mostly went back to her origins as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.
The actress has been able to devote more time to her passions by concentrating on the theater, including volunteering for Amnesty International and working for Planned Parenthood of America.
Turner has dedicated her life to supporting other women as a fervent feminist and has done so for the majority of her life. Send Yourself Roses, Gloria Feldt’s 2008 biography of the actress, accurately depicts her ideas.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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