Hollywood actors Georg Stanford Brown and Tyne Daly only dated for five months before deciding they wanted to be together forever.
Their love affair began in the 1960s when interracial marriage was considered taboo, illegal, and punishable by law.
They married on June 1, 1966, just one year before interracial marriage became legal across the U.S. As late as 1960 such marriages were illegal in 31 states in the U.S.
Georg Stanford Brown had moved from Havana to Harlem when he was 7 years old and then moved to LA 10 years later where he finished his education, majoring in theater arts.
Although, initially choosing the path of theater arts to ‘do something easy’ he ended up enjoying it and returned to New York to attend the American Musical and Dramatic Academy, working as a school janitor to pay his tuition, earning $80 a week.
It was there that he met his future wife Tyne Daly where they both studied under Philip Burton, Richard Burton’s mentor.
Brown is perhaps best known for his role as Officer Terry Webster, one of the stars of the ABC television series “The Rookies” that aired from 1972 to 1976.
He was also well known for his character Tom Harvey in the mini-series “Roots.”
During his long career as an actor and director, Brown played a variety of film roles, including Henri Philipot in The Comedians and Dr. Willard in Bullitt. In 1984 he starred in The Jesse Owens Story as Lew Gilbert.
When Brown married American singer and actress Tyne Daly she was a household name for her iconic role-playing Mary Beth Lacey, the gun-toting working-mother cop in the hit show “Cagney and Lacey.”
When the couple got married they faced racial prejudice but chose to ignore it – until they appeared on an episode of “The Rookies” together and shared their first on-screen interracial kiss.
Network censors wanted the scene deleted, but the couple stood their grounds, taped, and aired the segment without any issues from those closest to them.
In an interview with the Washington Post in 1985, Daly said she never saw being married to Brown as interracial. She does not, she says, “like pigeonholes.”
She is married to “another member of the human race. I gave up categories a long time ago,” she added.
The couple has three daughters Alisabeth Brown, born December 12, 1967; Kathryne Dora Brown, born February 10, 1971; and Alyxandra Beatris Brown, born October 1, 1985.
Daly said when their daughter Alyxandra was born, “on her birth certificate, under ‘race,’ we put ‘human’; under ‘sex’ we put ‘yes’, and under ethnic origin, we put ‘citizen of the world.’”
Describing her marriage to Brown, Daly said: “I have a good and interesting marriage that has gone on for quite some time and he’s an interesting fellow and we have some fascinating young children . . .”
Brown went into directing, and in 1986, he won a Primetime Emmy Award for Best Director in a Drama Series for the final episode of “Cagney & Lacey.”
Daly went on to star in many Broadway shows playing the role of Madame Arkadina in “The Seagull” in 1992, Cynthia Nixon in the 2006 comedy “Rabbit Hole,” and Maria Callas in “Master Class” in 2011, among others.
In 1990, after 24 years of marriage, Brown, and Daly filed for divorce. Even though their marriage had stood the test of time, they had to go their separate ways due to irreconcilable differences.
Despite divorcing after more than two decades this couple’s love and their fight to ignore the prejudice they faced is an inspiration.
He Was the Rifleman, Now Chuck Connors’ Secrets Come to Light
Chuck Connors, a name linked with vintage Western television, rose to fame as a result of his memorable performance as “The Rifleman’s” Lucas McCain. The transformation of Connors from athlete to actor is amazing and motivating. His initial success came in the sports industry. He was born in 1921. His brief but unforgettable MLB career began in 1940 when the Brooklyn Dodgers recognized his baseball potential.
But it didn’t take him long to feel the need to act. Connors entered the movie business in the early 1950s, and his breakout performance came in the 1952 picture “Pat and Mike.” However, his role as McCain in “The Rifleman,” which debuted in 1958, is what really solidified his reputation on television. In the role of McCain, Connors embodied the physicality and emotional depth of a dedicated rancher from New Mexico. He gave the role his all, whether it was performing stunts or learning how to ride a horse. The authentic relationship he had with his on-screen son, Johnny Crawford, was one of the show’s highlights.
Beneath his heroic façade on television, Connors had a difficult personal life. His on-screen portrayal as the perfect parent figure stood in stark contrast to his real-life troubles. The guy behind the character became more complex as a result of his multiple marriages and extramarital encounters. Connors’ clean TV appearance was further undermined by the obvious age difference in his personal connections.
Connors was notable in Hollywood for his political views as well. He openly backed politicians like Ronald Reagan and Richard Nixon, in contrast to many of his liberal Hollywood contemporaries. Because of this, he stood out both on and off screen.
It was difficult for Connors to get rid of Lucas McCain’s shadow when “The Rifleman” concluded. He tried his hand at a number of TV and movie roles, but none of them was as memorable as McCain. He brought the cherished character back for a short while in a 1991 TV film around the tail end of his career. Regretfully, he lost his fight with lung cancer and died at the age of 71 in 1992.
Chuck Connors had a great career and personal life, but he also left a lasting legacy in entertainment. He has a star on the Hollywood Walk of Fame in recognition of his contributions to vintage westerns and the Golden Age of Television. Despite his share of flaws, Connors’ genuine decency and enduring influence on screen guarantee his position in television history.
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