The happy mother of River Rose, 8, and Remy, 6, Kelly Clarkson, spoke candidly about her thoughts on spanking as a form of child discipline in a radio interview. The topic of parenting styles has been increasingly controversial in recent times due to their diversity and growth.
Being a well-known figure in the entertainment industry, Clarkson recently received recognition for her work with a star on the prestigious Hollywood Walk of Fame. She hasn’t held back when discussing her choice to add slapping to her repertoire of parenting techniques.
She constantly offered evidence to back up her beliefs, pointing to her upbringing and cultural influences.
Support and skepticism have been generated by Clarkson’s statement that she is “not above spanking” her kids in a culture where parenting ideologies are as varied as they are fervent.
“I don’t mean striking her,” she clarified, clarifying that her goal is to employ physical punishment in a regulated way rather than to harm someone. She went on, “I just mean a little spanking.”
However, there are many who disagree with spanking. A reputable organization for child health, the American Academy of Pediatrics, has categorically stated that spanking is counterproductive and may even be detrimental to a child’s health.
Parents continue to choose the conventional method of punishment, despite the fact that the organization’s stance is supported by extensive research and professional consensus.
Kelly Clarkson’s upbringing in the culturally diverse and diversified state of Texas is the reason behind her support for spanking. “We get spankings because I’m from the South, y’all,” she said, highlighting the regional and cultural impacts on her views.
“My parents spanked me, I did fine in life, and I feel fine about it,” she said candidly about her upbringing. She feels that this tactic helped to develop her well-rounded personality and that it was effective in imparting values and character.
However, when examining and critiquing her parenting style, Clarkson recognizes the challenges of reprimanding her kids in public. “It’s challenging to do that in public because people might think it’s inappropriate,” she clarified.
She is adamant that spanking is a valid form of discipline, even in the face of potential criticism. She said, “I believe in spanking, so you might see me spanking my kid at the zoo.”
A warning component is incorporated into Clarkson’s approach to strike a balance between communication and discipline. “Hello, if you don’t stop right now, I’m going to spank you on your bottom,” I said. She said, “This is ridiculous,” emphasizing the significance of candid communication throughout the procedure.
She says that the frequency of undesirable behavior has decreased as a result of this strategy.
The debate surrounding Kelly Clarkson’s method of child discipline is a reflection of broader conversations around human autonomy and different parenting styles. While some could concur with her, others might advocate for different approaches that emphasize non-physical tactics.
Respecting parental choices while taking into account the development and well-being of their children is essential in a community that values candid communication and experience sharing.
Essentially, Kelly Clarkson’s candid admission of her views on spanking has led to a complex discussion that represents the diversity of contemporary parenting ideologies.
Our views on what makes for good parenting change along with society, and different points of view have a place in this lively dialogue to coexist and add to our collective parenting knowledge.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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