Piano prodigy Ryan Wang hosted a special private concert for a very special admirer, 101-year-old Dorothy Landry, several months after dazzling audiences on “The Ellen Show” and performed at the esteemed Carnegie Hall. Ryan performed a touching recital of “Variations on an Inner Mongolian Folk Song” exclusively for Landry at the age of five, organized by Canadian digital music distributor CBC Music.
Dorothy, who has been a fan of Ryan’s since he was three, was unable to fully enjoy the performance at one of his previous concerts because of hearing issues. CBC Music realized this and arranged a private concert to provide her with a more intimate musical experience.
The small scene showed Dorothy in her wheelchair with Ryan sitting next to her, his feet hanging above the floor and his hands gripping a big teddy bear, both signs of his youth. Both of them were obviously moved by the concert; Ryan expressed how much he enjoyed performing for “Grandma Dorothy” and how it made her happy.
In return, Dorothy called Ryan a “very special little person” and expressed excitement about his upcoming performances.
She expressed her gratitude to Ryan and sincerely asked that he come see her again following his impending trip to China. This special musical relationship emphasizes the value of generational relationships and the universality of music.
The Ring and the Revelation
I had planned it for months. Every extra shift, every skipped luxury, every penny saved went towards that little box. It wasn’t the biggest diamond, I knew that. But it was elegant, minimalist, exactly what I thought she’d appreciate. It felt like us – understated, genuine, built on something real, not flashy. I was so proud of it, so proud of the effort, so hopeful for the future it represented.
The moment arrived, the words tumbled out, earnest and heartfelt. I opened the box, my heart pounding with a mixture of nerves and pure, unadulterated love. And then, she looked at it. Not at me, not at the significance of the gesture, but at the ring itself.
Her reaction wasn’t joy, or tears, or even surprise. It was a dismissive glance, a slight frown, and then, she took the box from my hand and tossed it aside. “The diamond is too small,” she said, as if commenting on a minor imperfection in a piece of furniture.
My world tilted. The air left my lungs. Broken. That’s the only word that comes close. I felt utterly broken, exposed, and profoundly helpless. All the effort, all the love, all the hope – reduced to the size of a stone. It wasn’t just the ring she had rejected; it felt like she had rejected me, the part of me that had worked so hard, that loved her enough to offer everything I had. Her words, her casual dismissal, crushed me in a way I hadn’t thought possible.
I don’t remember exactly what I said, or if I said anything at all. I just remember the feeling of numb disbelief as I bent down, picked the small, rejected symbol of my love from the floor, and walked out.
Now, days later, my phone is a constant buzz. Her name flashes across the screen, message after message, call after call. She wants the ring back. Her ring, she calls it.
But honestly? Looking at the ring now, it doesn’t represent a future together anymore. It represents that moment, that crushing realization, the feeling of being utterly unseen and unappreciated. The desire, the hope, the love I felt in that moment of proposal – it’s gone. Washed away by the cold, hard truth of a diamond that was “too small.” I’m not interested anymore. Not in the ring, and not in trying to rebuild something that shattered so completely over something so superficial.
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