Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Just a Month After Mom’s Death, Dad Brought a Young Mistress Into Our Home for Christmas – I Was Shocked When I Saw Her
Just a month after my mother lost her battle with cancer, Dad brought his mistress home for Christmas and introduced her as my “NEW MOM.” My heart shattered, but it wasn’t the only thing that left me shaken.
My hands won’t stop trembling as I write this. I need to share about a Christmas dinner that turned into a nightmare and showed me how quickly a family can shatter. There are some moments you wish you could forget, but they end up teaching you the hardest lessons about life, grief, and what it means to move on.
An upset woman | Source: Pexels
It’s been exactly one month since we buried Mom. For three years she fought cancer, and even at the end, she never stopped being… Mom. I remember her last day so clearly — the beeping machines, the afternoon sunlight streaming through the hospital window, and how she squeezed my hand with surprising strength.
“Lily, sweetheart,” she whispered, her voice raspy but determined. “Promise me something?”
“Anything, Mom.” I was trying so hard not to cry.
“Take care of your sisters. And your father… he doesn’t do well alone. Never has.” She smiled that soft smile of hers. “But make sure he remembers me?”
“How could anyone forget you?” I choked out.
That was our last real conversation. She slipped away the next morning, with my sisters Sarah and Katie holding one hand and me holding the other.
People at a funeral | Source: Pexels
The first week after the funeral, I moved back home. Dad seemed lost, wandering the house like a ghost. I’d find him standing near Mom’s closet, just staring at her clothes. Or sitting in her garden, touching the roses she’d tended so carefully.
“He’s not eating,” Katie reported during our daily sister check-in calls. “I brought over lasagna, and it’s still sitting untouched in the fridge.”
“Same with the casserole I made,” Sarah added. “Should we be worried?”
I thought we should be. But then everything changed.
It started small. Two weeks after the funeral, Dad cleaned out Mom’s closet without telling any of us. Just boxed everything up and dropped it at the local charity.
An empty wardrobe | Source: Pexels
“Her favorite sweater?” I asked, horrified when I found out. “The blue one she always wore for Christmas?”
“It’s just taking up space, Lily,” he said, suddenly practical. “Your mom wouldn’t want us dwelling.”
A few days later, he joined a gym. He started getting haircuts at some trendy place instead of the salon where Mom had known the owner for 20 years. He bought new clothes and even started humming while doing dishes. At 53, Dad was starting to act like a 20-year-old young man.
“He’s handling it differently,” Katie insisted during one of our emergency meetings at my apartment. “Everyone grieves in their own way.”
I was pacing, unable to sit still. “This isn’t grief. He’s acting like he just got released from prison instead of losing his wife of 30 years.”
A distressed woman | Source: Midjourney
Sarah curled up on my couch and tried to keep peace. “Maybe he’s trying to stay strong for us? You know how Mom always worried about him being alone.”
“There’s a difference between being strong and whatever this is,” I said, watching through my window as night fell over the city. “Something’s not right.”
I had no idea how not right things were about to get.
“Girls,” Dad called us into the living room one evening, his voice weirdly excited. “Family meeting. I have something important to tell you.”
He’d gotten all dressed up — a new shirt, pressed slacks, and polished shoes. He’d even put on cologne. Mom’s picture smiled down from the mantel as we gathered, and I swear Dad’s eyes looked delighted.
A senior man in a suit | Source: Pexels
“I’ve met someone special,” he announced, practically bouncing on his feet. “Her name is Amanda, and I want you all to meet her.”
The silence that followed was deafening. Katie’s face went white. Sarah started fidgeting with her ring.
“What exactly do you mean you’ve met someone?” My voice came out strangled.
Dad’s smile never wavered. “I mean I’m not getting any younger, Lily. Life goes on. Amanda makes me happy, and I want her to be part of our family.”
“Part of our family?” Katie’s voice cracked. “Dad, Mom’s been gone for three weeks!”
“And what am I supposed to do?” He crossed his arms. “Sit alone in this empty house forever?”
A stunned young woman facing a man | Source: Midjourney
“Maybe grieve?” I suggested, my anger rising. “Remember your wife? Our mother?”
“I am grieving,” he snapped. “But I’m also living. Your mother wouldn’t want me to be lonely all my life, girls!”
“Don’t.” I stood up. “Don’t you dare tell us what Mom would want. You don’t get to use her to justify this.”
Dad just walked away, scowling, leaving the three of us in a daze.
A week later, he dropped the next bomb.
“Christmas dinner,” he announced over the phone. “I want Amanda to join us.”
Close-up of a man holding his coat | Source: Pexels
I nearly dropped my coffee mug. “You’re bringing her to Christmas dinner? Mom’s favorite holiday?”
“It’s the perfect time for everyone to meet,” he said, sounding irritatingly reasonable. “Amanda’s excited to meet you all. She’s even offered to help cook.”
“Help cook?” I gripped the phone tighter. “In Mom’s kitchen? Using Mom’s recipes?”
“Lily—”
“Mom’s been gone for four weeks, Dad. Four. Weeks.”
“And what should I do?” His voice rose. “Cancel Christmas? Sit alone while my daughters judge me?”
“Maybe respect Mom’s memory? Remember 30 years of marriage? The woman who spent last Christmas in the hospital still trying to make it special for everyone?”
A furious woman | Source: Midjourney
“I’m still your father,” he said sharply. “And Amanda is coming to Christmas dinner. That’s final.”
“Fine.” I hung up and immediately called my sisters.
“He’s lost his mind,” Katie declared during our emergency video chat. “Completely lost it.”
Sarah looked like she might cry. “What do we do?”
I had an idea forming. A terrible, perfect idea.
Christmas Eve arrived cold and snowy. I spent the morning in Mom’s kitchen making her stuffing recipe. Every few minutes I caught myself turning to ask her a question, the grief hitting fresh each time I remembered she wasn’t there.
A woman decorating a Christmas tree | Source: Pexels
Katie arrived early to help, bringing Mom’s special tablecloth, the one with tiny embroidered holly leaves that Mom would spend hours ironing each year.
“I couldn’t sleep,” Katie admitted as we set the table. “Kept thinking about Mom, how she’d make us polish the silver until it sparkled.”
“Remember how she’d position everything just right?” Sarah added, arriving with pies. “The centerpiece had to be exactly in the middle.”
“And the photos,” I smiled sadly. “So many photos before anyone could eat.”
“Dad would complain his food was getting cold,” Katie laughed, then stopped abruptly. “God, I miss her.”
A sad woman with her eyes downcast | Source: Midjourney
The doorbell rang at exactly six. Dad rushed to answer it, checking his reflection in the hall mirror first.
“Everyone,” his voice boomed with pride, “this is Amanda.”
I was stunned. She couldn’t have been older than 25. Long blonde hair, expensive boots, perfect makeup. She looked like she could have been our younger sister. My father looked like he’d won the lottery.
“This is your new MOM!” He announced, his arm around her waist. “I hope you all got her something nice for Christmas!”
Katie dropped her wine glass. The red spread across Mom’s white tablecloth like a wound, the holly leaves disappearing under the stain.
A woman smiling | Source: Midjourney
Dinner was excruciating. Amanda kept trying to make a conversation, her voice high and nervous.
“This stuffing is amazing,” she said. “Family recipe?”
“My mother’s recipe,” I replied, emphasizing each word. “She made it every Christmas for 30 years. This was her favorite holiday.”
“Oh.” Amanda pushed food around her plate. “I’m so sorry about your loss. George told me—”
“George?” I cut her off with a wicked grin. “You mean Dad?”
Dad cleared his throat. “Lily!”
A woman grinning | Source: Midjourney
“No, I want to know… when exactly did he tell you about Mom? Before or after he asked you out?”
“Lily, stop,” Dad whispered.
“Did he tell you she spent three years fighting cancer? That she was still having chemo this time last year?” I couldn’t stop. “That she made him promise to keep our family together?”
“That’s enough!” Dad’s voice thundered across the table.
Amanda looked close to tears. “I should probably—”
“No, stay,” Dad insisted. “Family gets uncomfortable sometimes. That’s normal.”
A startled woman | Source: Midjourney
“Family?” I laughed bitterly. “She’s practically my age, Dad. This isn’t family. It’s creepy.”
“Present time!” Dad announced after dinner, desperate to change the mood. He’d always played Santa, but watching him do it now felt wrong.
I watched Amanda open gifts — a scarf from Katie, a gift card from Sarah. Then she reached for my carefully wrapped box.
“Oh, it’s beautiful,” she gasped, lifting out the antique jewelry box. Mom’s favorite, the one she’d kept her wedding ring in. “Thank you, Lily. This is so thoughtful.”
“Open it,” I said softly. “There’s something special inside.”
A woman holding a gift box | Source: Pexels
The room fell silent as she lifted the lid. Inside lay a photograph of Mom in her garden last summer, surrounded by her roses and all three of us girls beside her. Her last good day before the hospital. Her smile was still bright and full of life, even though we knew what was coming.
Beneath it lay my note: “You are not my mother. No one will ever replace her. Remember that.”
Amanda’s hands started shaking. “I… I need to go.”
“Honey, wait—” Dad reached for her, but she was already running, leaving her coat and muffler behind as she fled into the snowy night.
A woman walking away | Source: Pexels
Dad came back inside alone, snow melting on his shoulders, his face ashen.
“What did you do?” he demanded.
“I gave her a reality check,” I stood my ground. “Did you really think you could replace Mom with someone my age and we’d just accept it?”
“You had no right,” he growled. “You’re not letting me live my life!”
“Live your life? Mom’s been dead for four weeks! Her side of the bed isn’t even cold!” I was shouting now, years of watching Mom suffer, weeks of watching Dad move on, all pouring out at once. “Did you even love her?”
An angry woman | Source: Pexels
“How dare you?” His voice broke. “I loved your mother for 30 years. I watched her fight. I watched her die. But she’s gone, Lily. She’s gone, and I’m still here. What am I supposed to do?”
“Not this,” I whispered, tears finally falling. “Anything but this.”
Katie and Sarah stood frozen, Christmas tree lights casting shadows on their tears. Outside, the snow continued to fall, covering Amanda’s footprints as she’d run away from our family’s broken pieces.
My dad blamed me for not letting him move on, but I think his actions were deeply disrespectful to my late mother. I firmly believe I did the right thing by defending her memory and making it unequivocally clear to Amanda that she could never fill my mother’s shoes.
A woman sitting on the couch | Source: Midjourney
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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