Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
The Camera Revealed Our Expectant Birth Mother’s Plan to Destroy My Family – Her Lies Gave Me the Life I Always Dreamed Of
When Rachel spotted her husband kissing the woman they had trusted to bring their dream of parenthood to life, her world crumbled. But what began as a betrayal set her on an unexpected path, proving that the darkest moments can ultimately lead to something beautiful.
I was halfway through unloading groceries when my phone buzzed. It was a motion alert from our door camera. Frowning, I tapped the notification and waited for the video to load.
A woman looking at her phone | Source: Pexels
It was Sean. He was on the porch, but he wasn’t alone.
“Jessica?” I whispered, frozen as I watched her step closer to him. Her hand rested on her swollen belly as her lips curved into a smile. Sean said something I couldn’t hear, and then she kissed him.
A man hugging his wife | Source: Midjourney
I dropped the carton of eggs.
You see, Sean and I had been married for five years. We had built a beautiful life together, or at least, I thought we had. When we realized we couldn’t have children, I was heartbroken. Adoption became my lifeline, my way to the family I dreamed of.
At first, Sean wasn’t on board.
An uncertain man | Source: Pexels
“Adoption’s a big step,” he said one night, staring into his beer. “What if… I don’t know… What if it doesn’t feel the same?”
“It’ll be ours, Sean,” I said, gripping his hand. “We’ll love them like they’re our own. Please, just think about it.”
He eventually agreed, but not without hesitation. Still, I clung to hope.
A woman smiling at herself | Source: Pexels
Months later, our adoption agency called.
“Congratulations!” the social worker chirped. “Jessica, a young expectant mother, has chosen you and Sean to adopt her baby. She loved your profile, said you seemed kind and stable.”
Stable. If only Jessica knew.
A thoughtful woman | Source: Pexels
I was ecstatic. I threw myself into preparations — decorating the nursery, reading parenting books, and doing everything I could to make Jessica feel supported.
“You’re paying for her rent now?” Sean asked one evening, his tone sharper than usual.
“She’s carrying our baby,” I said. “The least we can do is make her comfortable.”
Sean nodded, but something in his expression unsettled me.
A couple having a serious conversation | Source: Pexels
At first, everything seemed fine. Jessica was polite but distant. I assumed she just needed space. Sean, however, was overly attentive.
“She needs someone to drive her to the doctor,” he said one Saturday morning, grabbing his keys. “I’ll take care of it.”
“I could go,” I offered.
“No, it’s fine. I’m already dressed.”
A man leaving his house with car keys | Source: Midjourney
I didn’t argue, though the pattern repeated itself. Late-night texts. Long phone calls. Sean also insisted on visiting Jessica alone.
One night, I finally said something.
“You’re spending a lot of time with her.”
“She’s carrying our baby, Rachel,” he snapped. “What do you expect me to do? Ignore her?”
A couple arguing in their living room | Source: Pexels
I bit my lip and looked away. Maybe he was just stressed. We both were.
The door camera footage proved I was wrong.
When Sean came home that evening, I was waiting in the living room.
“Rachel?” he said, surprised to see me sitting in the dark.
An angry woman sitting in the dark | Source: Midjourney
“How long?” I asked, my voice trembling.
“What are you talking about?”
I held up my phone, showing him the video. “How long have you been sleeping with her?”
Sean’s face turned ghostly pale. “I… It’s not what it looks like.”
A couple arguing | Source: Pexels
“Don’t you dare lie to me!” I shouted, tears streaming down my face. “I saw her kiss you, Sean! How could you do this to me? To us?”
“It just happened,” he stammered. “I didn’t plan this, Rachel. It started before we knew she was pregnant. I didn’t want to hurt you.”
“Hurt me?” I laughed bitterly. “You’ve destroyed everything!”
“I’ll fix it,” he said desperately. “I swear, I’ll fix it.”
An angry woman talking to her husband | Source: Pexels
Jessica’s voice echoed in my head. “She’s carrying our baby. I had to step up. It was the right thing to do.” Only now, I wasn’t so sure.
“Whose baby is it, Sean?”
He hesitated. “She says it’s mine. She chose our family because she recognized me among the families.”
My world crumbled.
A sad man sitting at the table | Source: Pexels
“Get out,” I whispered.
“Rachel—”
“Get out!”
Sean grabbed his coat and left. I sat alone in the silence, my mind racing. Jessica had chosen us to adopt her baby, but it wasn’t an act of kindness. It was revenge.
A sad upset woman in her living room | Source: Midjourney
The call came a month after Sean left. I hadn’t heard much from him, though I knew he was still with Jessica. The silence was both a relief and a burden.
“Rachel,” Sean’s voice came through the phone. It was unsteady. “I need to talk to you.”
I sat down, gripping the edge of the counter. “What do you want, Sean?”
“It’s about the baby. He looked nothing like me.” He hesitated, then exhaled heavily. “I had a paternity test done.”
A man looking at his phone | Source: Pexels
“And?”
“She lied,” he said, his voice breaking. “It’s not mine.”
For a moment, I didn’t respond. The words felt surreal.
“She made it all up?” I asked, my tone flat.
A woman talking on her phone | Source: Pexels
“She thought I wouldn’t ask for a test,” Sean said. “But when the baby was born, I just… I didn’t see it. The timing didn’t make sense either.”
I closed my eyes, anger and vindication swirling together. “So what now?”
“I don’t know,” Sean admitted. “Jessica left. She took the baby, and I haven’t heard from her since. I — Rachel, I’m so sorry. I messed up.”
A sad man talking on his phone | Source: Midjourney
I laughed bitterly. “Sorry doesn’t even begin to cover it, Sean. You didn’t just mess up. You betrayed me, destroyed our marriage, and let that woman humiliate me.”
“I want to come back,” he said softly. “I want to fix this.”
“No,” I said firmly. “There’s nothing to fix. Go figure out your life, Sean. I’m moving on with mine.”
A serious woman talking on her phone | Source: Midjourney
Two weeks later, I found myself at the hospital. I had avoided it since the adoption fell apart, but there were loose ends to tie up — final paperwork, the agency’s apologies, and too many painful reminders.
“Are you Rachel?” a gentle male voice asked as I stood near the reception desk.
I turned to see a tall man with kind eyes and a warm smile. He wore scrubs and carried a clipboard.
A med tech | Source: Pexels
“Yes,” I said cautiously.
“I’m Ethan,” he said, extending his hand. “I work in the lab here. I was supposed to meet you to review some of the test results.”
“Oh,” I said, shaking his hand. His grip was steady, calming. “Thank you.”
We walked to a small office. Ethan handed me some forms, explaining the process for closing the adoption file.
A doctor holding a tablet | Source: Pexels
“I’m sorry you’re going through this,” he said sincerely. “It’s not easy, losing something you hoped for.”
I nodded, surprised by the emotion rising in my chest. “Thank you.”
For a moment, he seemed hesitant, then said, “I… I went through something similar. My fiancée left me two years ago. We had a newborn daughter at the time.”
A young woman talking to a lab tech | Source: Midjourney
I blinked. “She just left?”
“Vanished,” he said, his voice heavy. “I tried to find her, but she didn’t want to be found. After a while, I stopped looking. I figured she made her choice.”
“Wow,” I said softly. “I’m so sorry. That must’ve been awful.”
He nodded. “I heard rumors she’d passed away. I guess I’m a widower now. I didn’t know what to believe, so I focused on my daughter. She’s the best thing in my life now.”
A lab worker talking to a woman | Source: Midjourney
Something about his story tugged at me. “Do you have a picture of her? Your fiancée, I mean?”
Ethan hesitated, then pulled out his phone. He tapped a few times and handed it to me.
My stomach dropped. It was Jessica.
For a moment, I couldn’t breathe.
A smiling woman near a flower bush | Source: Midjourney
“Rachel?” Ethan asked, concerned.
I handed the phone back, my hand trembling. “Ethan, I… I know her. Jessica. She’s the woman who was supposed to give us her baby.”
Ethan’s expression froze. “What?”
A shocked man | Source: Pexels
“She manipulated my husband,” I said, my voice shaking. “She claimed the baby was his. It wasn’t true. She’s the reason my marriage ended.”
Ethan sat back, stunned. “So she’s alive?”
“Yes,” I said quietly. “And as awful as it sounds, I wish I didn’t know.”
A sad serious woman talking to a lab tech | Source: Midjourney
Ethan was silent for a long moment. Then he looked at me with a mix of sadness and determination. “Well, I guess now we both know the truth. What do we do with it?”
“I don’t know,” I admitted.
For the first time in a long while, I felt a strange, fragile sense of hope. Maybe, just maybe, this broken road would lead to something better.
A smiling young woman looking at a lab tech | Source: Midjourney
Ethan and I started meeting for coffee after work. At first, it was just two people sharing stories of heartbreak — his fiancée leaving him with a newborn and my husband shattering our marriage with lies.
Ethan shared how Jessica left him after he lost his place in med school. Devastated, he enrolled in a local college so he could at least work in a lab and rebuild his life. Somehow, in each other’s company, the weight of the past felt a little lighter.
A couple in a cafe | Source: Pexels
“It’s funny,” Ethan said one evening as we watched his daughter, Lila, toddle around the park. “I thought losing Jessica would break me forever. But Lila gave me a reason to keep going.”
“She’s lucky to have you,” I said softly. “You’re an amazing dad.”
“And you’re an amazing person for surviving everything you’ve been through,” he replied.
A woman with a toddler | Source: Pexels
We grew closer, bit by bit. I babysat Lila when Ethan had night shifts, and he helped me repaint the nursery I’d once prepared for another child. Slowly, the empty spaces in my life began to fill with laughter, warmth, and love.
A year later, Ethan proposed, and I said yes. I became Lila’s stepmother, and soon after, we welcomed our own baby girl. Watching Ethan hold our newborn, his face glowing with pride, I knew my life had come full circle.
Parents looking at their baby | Source: Pexels
Ethan went back to school, determined to finish his medical degree. “You believed in me when I couldn’t believe in myself,” he told me. And when he graduated, I cheered louder than anyone.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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