Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
I Saw a Lost Child in the Airport — What He Had in His Backpack Made Me Gasp
When I saw a young boy wandering alone in the airport, I couldn’t just sit there. He was scared and clutching his backpack like it was all he had left. I offered to help, but what I found inside his bag left me speechless and set off a chain of events I never saw coming.
Sitting in an airport terminal for four hours will test anybody’s patience. I’d already drained my third cup of coffee and was seriously considering a fourth when I noticed a kid, maybe six, wandering through the crowd.
A boy in an airport | Source: Midjourney
He seemed kind of… lost. There was no frantic parent chasing after him, no one calling his name. Just him, a tiny figure adrift in a sea of travelers.
After a couple of minutes of watching this kid stumble past people without a clue where he was going, I couldn’t shake the knot that started twisting in my stomach.
His eyes were wide, almost glassy, like he was on the edge of tears but trying to hold it together. I knew that look. Hell, I’d worn that look enough times as a kid.
A sad boy in an airport | Source: Midjourney
I stood before I even realized what I was doing. Some instinct kicked in, I guess. I wasn’t the ‘good Samaritan’ type, but I couldn’t just sit there while this kid wandered around scared out of his mind.
“Hey, buddy,” I said, keeping my voice low and non-threatening. God knows the last thing he needed was some random guy freaking him out. “You alright?”
The kid stopped, his tiny body stiffening. For a second I thought I’d blown it and he’d run away or scream or something.
A frightened child | Source: Midjourney
But he just stood there, clutching the straps of his backpack like it was the only thing keeping him tethered to reality. He shook his head, slow, eyes downcast but too proud, or too scared, to let the tears fall.
“What’s your name?” I asked, crouching down a bit so I wasn’t towering over him.
“Tommy,” he whispered, voice barely audible over the background hum of flight announcements and airport chatter.
“Well, Tommy,” I smiled, trying to sound as friendly as possible. “Do you know where your parents are? Or maybe you have something in your backpack that can help us find them?”
A smiling man | Source: Unsplash
He looked up at me with these big, watery eyes and nodded, then slowly unzipped his backpack and handed it to me without a word.
I’ll tell you right now, there’s nothing more heartbreaking than a kid who’s too scared to even ask for help but desperately wants it anyway.
I opened the bag, expecting to find a boarding pass or something. Just a quick look, I thought, and I’d be able to hand him off to airport security. Easy, right?
Wrong.
A backpack | Source: Pexels
Mixed in with a few snacks and some clothes, I pulled out a crumpled airline ticket. My hands froze and I gasped when I read the boy’s last name.
Harrison. My last name. I was about to dismiss it as a coincidence but then I looked at Tommy again. Something about his eyes and nose, and the set of his chin was way too familiar, but that was ridiculous. I don’t have kids.
Hell, I barely had family left these days, let alone some random six-year-old with my last name.
A child in an airport | Source: Midjourney
I swallowed hard and handed the ticket back to Tommy, my hands trembling a little now. “Tommy,” I started, my voice softer, “who’s your dad?”
He shifted on his feet, clearly uncomfortable. “He’s here… at the airport.”
Okay, that wasn’t helpful. “Do you know his name?” I pressed gently, not wanting to spook him but needing more than just vague answers.
Tommy shook his head again, eyes flicking nervously toward the crowd. “He’s my dad,” he repeated, like that cleared everything up.
A shrugging boy | Source: Midjourney
Great. I couldn’t just leave him with that. My brain was working overtime now, trying to piece together the impossible coincidence of the name on the ticket. And then it hit me, like a wave of cold water crashing over my head: Ryan.
My brother. My damn brother. I hadn’t thought about him in years, not since he disappeared from my life like some magician pulling the ultimate vanishing act.
One day he was there, and then he wasn’t, leaving behind nothing but a whole lot of anger and unanswered questions.
A frowning man | Source: Midjourney
“Okay, let’s go find security so they can make an announcement and help you find your dad, okay?” I straightened and held out my hand to Tommy.
He nodded and off we went. I tried to put thoughts of my brother out of my mind as I guided the boy across the terminal, but I couldn’t shake the thought that he was connected to this child.
Maybe that’s why it took me a minute to realize the man rushing toward us wasn’t a figment of my imagination. Ryan looked different, sure. He was older, more haggard, but it was definitely my brother.
A man in an airport | Source: Midjourney
Ryan was scanning the crowd like a man on the verge of losing his mind, his eyes wide and frantic, searching for something. Or someone.
“Dad!” Tommy tugged on my hand, his voice pulling me out of my stupor. He tried to let go of my hand, but I was frozen.
It took me a second to process what he’d said. Dad.
Suddenly, Ryan’s eyes locked on us. I saw the exact moment he registered what he was seeing, me, his estranged brother, standing with his son.
Close up of a man’s eye | Source: Pexels
For a split second, his expression shifted from panic to something like disbelief, maybe even shock. And then he started walking, more like jogging, straight toward us.
As he got closer, I noticed the dark circles under his eyes and the lines etched into his face. He wasn’t the cocky, carefree brother I remembered. He looked… worn down. And, honestly, that softened me a little.
Not that I was ready to let go of all the bitterness, but it was hard to stay angry when he looked like life had already beaten him up.
A man | Source: Pexels
“Tommy,” Ryan said, his voice shaky with relief. He grabbed Tommy by the shoulders, pulling him into a quick hug before stepping back.
His eyes darted between me and Tommy, like he was trying to make sense of the situation. “I-I can’t believe… thank you for—” His voice trailed off, unsure, awkward.
I nodded, still trying to get a grip on my own emotions. There was this thick, uncomfortable silence between us. Years of not speaking, of unresolved anger, just hung there in the air like a weight pressing down on both of us.
An emotional man | Source: Pexels
“You’re welcome,” I finally managed to say, though the words came out stiffer than I intended.
Ryan glanced down at Tommy, then back at me. He looked… I don’t know, cautious. Like he didn’t know how to act around me anymore. And maybe he didn’t.
“Didn’t think I’d see you again,” Ryan said quietly, his hand resting protectively on Tommy’s shoulder. His words weren’t exactly dripping with warmth, but there was something in his tone that almost sounded like regret.
A man battling his emotions | Source: Pexels
“Yeah, well, same,” I muttered. “Is he… my nephew?”
The question slipped out before I could stop it. It felt like my heart was lodged in my throat, and I immediately regretted how blunt I sounded.
Ryan froze, his eyes widening for a split second. His face twisted with hesitation like he didn’t want to confirm what I already knew. But eventually, he nodded. “Yeah. He is.”
A shocked man | Source: Pexels
I exhaled sharply, the air leaving my lungs in one shaky rush. I stood there trying to wrap my head around the fact that Ryan had built a whole life without me in it.
“I wish I’d known,” I said, my voice sounding weirdly hollow in my own ears.
Ryan’s jaw clenched, and for a moment, I thought he might snap back with some defensive comment. But instead, he just sighed and looked down at the floor.
“I didn’t know how to tell you.”
A man hanging his head | Source: Pexels
That hit me harder than I expected. For years, I’d carried this resentment for how he’d just disappeared, no explanation, no goodbye. And now, hearing that he had been struggling too, that he hadn’t just moved on like I thought… it stung in a different way.
I swallowed hard, not sure how to feel. “You just vanished, Ryan. One day you were there, and then you weren’t. You just—” My voice cracked, and I had to stop before I said something I couldn’t take back.
A stern man | Source: Midjourney
Ryan ran a hand through his hair, his expression pained. “I know. I screwed up. I know that.” He glanced down at Tommy, his face softening as he looked at his son. “But I had to leave. Things were… complicated. I didn’t know how to handle it all.”
“Yeah, no kidding,” I muttered, more to myself than him.
There was another long, awkward silence. Tommy shifted on his feet, sensing the tension between us but too young to understand what was really going on. He looked up at Ryan, then at me, his wide eyes full of curiosity.
A boy | Source: Pexels
“Are we gonna see Uncle Ethan again?” Tommy asked, completely unaware of the emotional minefield he’d just wandered into.
Ryan and I both froze, staring at each other. And for the first time since he walked up, Ryan cracked a tiny smile. It wasn’t much, but it was there.
“Maybe,” Ryan said, glancing at me. “Maybe we can try.”
I met his eyes, my chest tight with a mix of anger and… hope? “Yeah,” I said quietly. “Maybe we can.”
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